wasnttomorrowwonderful
Son of Mecha Mummy
wasnttomorrowwonderful

There's this one that's not in that video that's this baby running straight at the camera with this look of absolute joy on its face. "Hooray," the baby is clearly conveying, "I have learned to run! I will run everywhere always!"

well great, I only have five minutes left on my lunch break at work and now I'm caught in the Cats Pouncing On Babies wormhole. Thanks, Jen Kirkman.

still waiting on Sister Rosetta Tharpe's induction.

Topher Grace circa the first couple seasons of That '70s Show for Scott Pilgrim.

Wrestling Isn't Wrestling is great, but he seems a little insufferable. He basically threw a tantrum because nobody went to see American Ultra.

When I was reading the book I remember I had Kieran Culkin in my head as Aech, though he's definitely too old. If they don't cast a total unknown for Helen, they're insane.

Yeah, I love them too and am at the same time acutely aware that precisely zero people I know in real life wouldn't roll my eyes at me if I played "Kites Are Fun" or "Butterflies Are Free" in their presence.

I don't think they've put out new music in like four or five years. I love the first three albums but the fourth ("Brilliant! Tragic!") was pretty bad, and there didn't seem to be much of a tour to support it, which is a shame because they're really fucking fun live and I don't think they've played in my city in like

"Made on the cheap, the live-action adaptation of the popular ’80s cartoon Jem And The Holograms often resembles a mockbuster of itself, perhaps titled Jam And The Horoglams and distributed directly to gas stations."

1. Brooklyn
2. Mad Max: Fury Road
3. Room
4. Revenant
5. Spotlight
6. The Martian
7. The Big Short
8. Bridge of Spies

Those are definitely the two weightiest. "Shok" feels like the kind of movie where all you'd have to do is see a two-second clip of it during the listing of the nominees on the ceremony itself and you'd immediately get it and not be surprised at the win.

This episode was great. I am all-in on this season being heavier on characters and lighter on all-strategy-all-the-time. I love this cast and I think the editors did a great job not tipping their hand on who was going out, though Jenny's implosion certainly helped them out on that front. Before Brawn lost the

Wait, "Ave Maria" is the *frontrunner* in live action short? I watched all of them last weekend and that to me seemed like the most obvious one to not win. It was pleasant enough but left barely any impression on me. I thought the German child abudction one was definitely the best.

That basic rhythm of Tony saying something silly, Eilis gently teasing him for the way he said it, and Tony grinning like a dork never got old for me.

"who would have given her a better future."

To be honest, I don't think the damage that she's doing by going back or by having withheld the truth about Tony the whole time *needed* some monologue or Reason You Suck Speech or whatever. The scene with her mom was enough for me because it's not like Eilis was forgiven so much as told "fine, go, then."

I didn't read the full thing, but I saw a headline from a David Schwimmer interview where he said what appealed to him about playing Robert is that he's the only guy involved who's not there for personal gain.So "genuinely decent man who just happens to be on the wrong side of history" seems like the show's take on

This sounds like a job for Ignatiy.

I'd be pretty down with a Jon Brion-produced live version of the Eternal Sunshine of the Spotless Mind soundtrack. Are The WIllowz still a thing? If not surely it wouldn't be that hard to reunite them.

It's interesting that they're playing with the idea of cold opens, as well as having him standing up at the start of the show. I'm all for fucking with the format here and there and trying things.