I’ve listened to a lot of Snyder interviews, and panels. And never once have I ever heard the guy use the term “bro”, ever.

Let’s be honest. You probably couldn’t make a movie for the Asylum. 

In Snyder’s case it was the first movie he did since the Justice League debacle and his daughter’s death. I can understand why he wanted to full immerse himself in the movie, without having to deal with the same studio BS he had to endure during JL.

Dude has literally said she was crazy and drank her own Kool Aid. And that the only thing that interests him about Fountainhead is that it’s melodrama about the creative process filled with sex and architecture. 

People that say he’s Objectvist or that his movies espouse Randian ideas, have no idea what those words mean on even the most basic of level. The whole Snyder is Objectivist was pretty much started by disgraced writer / sex pest Devin Faraci, and people have been running with it since.

He’s not. He’s said he wanted to make it (like plenty of other directors). 

Yes, God forbid directors experiment with filming techniques that some rando on the internet doesn’t like.

Except that title is clickbaity. There are literally pictures of the cast sitting in chairs during the shoot. Snyder didn’t have any chairs on set because he was director of photography / camera operator, and they were filming with natural lighting so it was a fast paced shoot. People were allowed to sit down.

As much as I love Romero’s movies, it’s not like they were actually all that deep in regards to social commentary.

I mean there were chairs, and people were allowed to sit down. But the fact that Snyder was director/dp/camera operator meant he wasn’t doing much sitting. Add on that they were using natural lighting so the shoot was fairly fast paced.

I think it’s $200 million, Snyder did mention they talked about the logistics of how they would get the money out, and like $200 million was the cut-off for feasibility of it.

It’s established early on that the zombies were able to be contained in Vegas through a makeshift wall. So, while Vegas has fallen to the zombie hordes, the rest of the world is going on as usual. But there’s all that money left in Vegas, which is going to get bombed to hell, so that’s why the team gets sent in to…

Funny enough, the director of Train to Busan and Peninsula was heavily influenced by Snyder’s Dawn of the Dead.

It’s all subjective though, isn’t it? Like for me, ZSJL was a pretty brisk watch all things considered. Like I’ve seen 90 minute movies that feel nine hours long.  Then you got something like The Rainmaker which is 137 minutes, but I’d argue there isn’t a bit of fat to that movie. Everything has a purpose.

Probably had some, he appears in a cameo as a soldier on the White House lawn. So, he filmed some footage for it. 

The irony is WB told him not to film it, but he did anyway on the sly. Like he used film crew members for bit parts in it.

Or some got defensive because writers like on the AV Club would mock them for wanting it and Snyder on a personal level, and when they would push back, said movie bloggers would cry about being bullied for acting like bullies.

Aren’t you Mr. Pedantic. Yes, there was a completed cut, that is what Snyder showed Warner Media that got it released. In the process of filmmaking, directors will usually do reshoots or in the case of what Snyder is doing, additional photography to help fill certain blanks in the edits. When Snyder left JL, he was in…

And Steppenwolf isn’t a yellow guy in a silly green hat. Creative license.

Nah. These commenters are much bigger wankers.