Don’t you hate it when people don’t know the difference between sampling and remixes, or even mashups? These same people also think Kayne West is a musical genius. Ugh.
Don’t you hate it when people don’t know the difference between sampling and remixes, or even mashups? These same people also think Kayne West is a musical genius. Ugh.
Damar is an example of how the show brilliantly turned nobody side characters into tragic figures.
A Knight’s Tale would like a word...
Ted “Theodore” Logan as Whoaverine, with Bill “X” Preston, Professor.
1. Those sweaters.
“We?”
We need Dad Steve to keep these kids in line.
You must not have seen Thor: Ragnarok. Or Infinity War. Or Ghostbusters. Or Rush.
Me too, at least SNL validates that this past weekend:
2017: Elon Musk is the visionary billionaire we need to build the future!
I’m convinced that there are 3 types of VW’s:
Zoya HATE comic books. Are bourgeois capitalist scam to oppress the masses
GLOW is the only retro-80s show that gets the styling, particularly the hair, correct. Stranger Things doesn’t do it right. The Americans largely didn’t do it right. The Goldbergs don’t really do it right. NARCOS: Mexico didn’t do it right. But GLOW nails it.
my first vehicle (shared between my brother and I) was a ‘72 Chevy Luv. when we got home it was pretty tatty.. dents and dings, paint chipping, etc.. my dad used it as a kinda vehicle maintenance classroom for us. that’s when I learned how to pull dents, repack bearings, change out brake pads/shoes, even learned how…
Back in the late Eighties I saw some of the original show. I wasn’t a fan, but one of the things I noticed about it was how the participants could get in some subversive feminine empowerment messages. I think they knew their viewership better than the media powers that were gave them credit for.
Let’s hope that somehow Marvel isn’t involved and forces Netflix to cancel this series, too.
It seems a bit disingenuous not to mention that while the line “I am no man” is used in the movie it’s really a variation of Tolkien’s ‘But no living man am I! You look upon a woman...”. No matter how it is stated, it’s a fantastic moment in both the book and in the filmed version.