Name names! ;-)

For me it is RTD no contest. The elaborate plotting of Moffatt has had diminishing returns. There's no point raising these ideas like the loss of Melody and then not exploring the emotional repercussions. In fact you have to do that to give the sci-fi some grounding in reality.

The Waters of Mars is a masterpiece. When you have someone as worthy as Adelaide smacking you down that hard you need to listen :-)

For me there was a "God I want to" missing at the start of one of those sentences but John Simm is an attractive man and the 10/Master dynamic was pretty damn sexy.

I know people hate Love and Monsters but the storyline in that where a lonely Jackie is unwittingly tricked into betraying her kid was pretty powerful and her anger when she found out was pitch perfect.

And how bulletproof is Amy? They take her kid and she doesn't even get cross with the Doctor.

The plot really has to deliver if you can't write the emotional aspects of a storyline. We would never get a Dalek, Midnight or a Waters of Mars with Moffatt. I think it comes down to why you watch or read stories. I've read a lot so I can see the plot machinery a good deal of the time. That means I focus on the…

For me it is RTD no contest. The elaborate plotting of Moffatt has had diminishing returns. There's no point raising these ideas like the loss of Melody and then not exploring the emotional repercussions. In fact you have to do that to give the sci-fi some grounding in reality.