As far as I can see, Preminger only has one non-American movie, Lubitsch is one of my all time favourites, but still had a significant early career in Germany.

His movies are terrible, admittedly I've only seen two but I'm comfortable saying I'm happy he existed and never watching anything else he's done ever again.

Isn't that the whole point of the USA?

It's about where they had their career, not nationality.

Wilder also did quite a bit of meh and unremarkable. I'm yet to see a Welles that isn't genius.

I think it's to do with the main demographics of their fan-bases.
Nolan has a lot of appeal to the stereotypical fanboy who will spend a lot lot of time typing in as many places possible online that The Dark Knight is the BEST! MOVIE! EVER! and anyone who doesn't agree is probably gay and The Dark Knight Rises is the…

I disagree with you on their respective draws, especially since Seyfried had never had the main part in a movie before.
Anyway that still wouldn't justify that much of a gap (unless her agent was deliberately discounting her to give her a shot at the top of the bill).

It was, though at the time, I'd say Tatum was just slightly ahead of her, he'd already done G.I. Joe and was properly first-billed in Step-Up (which would be the most relevant previous experience).
I first didn't consider Les Miserables as co-star doesn't seem to fit their parts (he said not having seen the movie), but…

It's only a guess though, if pretty much the only reasonable one. Other possible if far-fetched suggestion would be In Time, but that would assume she ignores the non-acting career of JT, and Dear John probably doesn't count as high budget.

Yes, but the links are still to Amazon US, sure we can buy stuff there, but that's a bit pointless.

Don't know if favourite, but (mild SPOILER for the almost 70 year old movie Quai des Orfevres) Dora from that movie. Not so much for her than the fact that we have a movie from 1947 with a character who is explicitly a lesbian, who is neither crazy, a murderer nor "punished" in any way (unless you count unrequited…

Currently at roughly 50 a month (so not quite there yet), but I don't think I'll be able to keep the pace.

There's a kid, he grows up, the end. There, you'll be able to understand the references.

I'd love it if hey had a proper fashion coverage, it could indeed be a good fit if done well, I just don't recall seeing anything on the topic here before.
Wouldn't they have finished shooting already? Release is in about six months.

I'm surprised to see this mentioned here, I like fashion so it's all fine with me, but surprised it would be considered pop culture.

There were a few, going way back you have https://www.youtube.com/wat…
In early Hollywood which would be more comparable, Dorothy Arzner did a couple of nice ones, including an early Hepburn called Christopher Strong that is worth a look if not truly great.

It's nowhere near as good, or even really comparable, but if you're curious about the going-ons of the time, La Traversee de Paris is a tale of black market that is occasionally good fun.

Saw it very recently thanks to the re-release, knowing little about it (had there not been a cast list given where I was I probably would been genuinely surprised by the appearance of Welles/Harry).
The score is definitely memorable, and I particularly loved how lighthearted it kept things, it just makes it that much…

At least there would be a lot to say and study. Not sure I'd want to watch it again, not soon anyway.

Doc, just when I think I've seen it all it finds something to top itself.