You get a fifth and final season! And YOU get a fifth and final season!

It’s definitely an MLM scheme.

I dunno, I actually have learned a lot about viable pitches because of the show. It’s a nice mix of “dreams” vs. “reality”, in that a lot of these people pour their heart and soul into something, and do it for very personal reasons.....buuuuut, if the idea fucking sucks, and won’t make any money, then why should they…

Mission Impossible, if you count that.

The fuck is a “disc”? Is that something you can download?

Sorry, was typing that with a broom. 

They don’t point it out because it’s the only cool thing about them. Aliens are cool. 

“Imflammable means flammable? What a country!”

Honestly it feels like they gave Avatar the visual effects Oscar just so Cameron wouldn’t throw a shit-fit.

Road House is, like so many “classic” movies that are “so bad, it’s good”, better remembered than actually experienced. Go back and watch the movie: it drags. It’s an absolute bore to watch, except for like 5 min of actual screen time, like when he rips that dude’s throat out for no real reason.

At this point when a flashback begins I just think, great: here’s another person I’m supposed to care about who’s just gonna die by the end of the episode. I’m getting kinda numb to them.

Laserface ruined it for all of us.

The novella’s title is “Rita Hayworth and the Shawshank Redemption” because the poster he hangs up in his jail cell features, you guessed it —

Loved her and wouldn’t/couldn’t admit it, because then admitting it would mean he lost someone he loved, which he probably swore to himself he’d never do again after the death of his daughter. Somewhat parallels his insistence that his brother is alive: since he loves his brother, he can’t admit he might be lost. 

Ya know, I’m actually excited to see Mario now. Wasn’t stoked about Pratt’s casting (still iffy on it) but after seeing the trailers, it looks like a fun ode to Mario, so I might actually see it. Not a fan of Marvel movies myself.

The first bit of the film when they’re in the house with the two main actors (the whole premise of which the film is sold on) is honestly great. Pretty tense and interesting and you wanna see where it’s gonna go, and then...it just cuts. Grinds momentum to a halt to focus on a different storyline, which sure,…

Barbarian was a steaming pile of shit. I honestly have no idea how anyone could find anything remotely valuable in that film, let alone how it seems to be on so many “best of” lists. 

I defiantly think our language is evolving, but I could care less. 

Why’s everyone so harsh on The War on Drugs? I think they’re actually pretty good live if the venue has good acoustics.