I still like Charlie Kaufman. I don't think think he's written a dud movie yet; he's just been really quiet in the last decade.

I wonder if Michael Bay's TMNT will surprise us with a Fellashow cameo.

There are dozens of us!

I don't even have the energy to use my AVC-specific account any more. It keeps logging me out. I just use my general Disqus account now.

Those comments remind me of how many people bailed after Nu Disqus. *sniff*

More like "Work 76 Hour Weeks".

At least to me, it seems like the reviews are getting better. They're longer, and fewer mid-tier indie releases are being neglected.

Yeah, Hercules and Love Affair don't stand out as much as they did in 2008, but they still make brilliant music. "I Try to Talk to You" is super-catchy, but so melancholy.

After seeing Owen Pallett do a storming set with a proper rhythm section in 2011, I was a little disappointed with "In Conflict."

I don't want to work with Twelve Angry Men. One is enough.

I think Mike's point (which is obscured by the provocative headline that he didn't even write) is more related to the exceptions than the "rule". Master Builder could have been a great movie given the talent involved, but it was not.

I love the absurdity and tactile pleasures of Pinterball. I get extremely frustrated with Beckettoads, but I keep coming back for more punishment. MacIvor's Mansion is criminally underrated. And let's not forget Tennessee Williams 2: The Arcade Game.

"Super Aeschylus Bros." really hurts my head.

It's great to see the site talking about the mutualism of games and theatre. I've long said that games have more in common with theatre than film, and the best games are those that understand this: http://gameological.com/201…

I want to see a fan remake of Street Fighter 2 set in the present day with those same birthdays.

And Ryu turns 50 today! Happy birthday Ryu!

So my fanfic where Chun-Li needs a heart transplant and Guile kills himself to be the donor is completely implausible? That's disappointing.

And that freedom also allowed them to be much more ambitious than a network show. The shows that really embraced serialization in the 80s and 90s were mostly syndicated.

My theory is that the studio was flowing with cocaine after the huge success of "Roger Rabbit" and "The Little Mermaid."

I'd love to see coverage continue long enough to reach the "Avalon" story arc. As a kid, that was what turned me off the show, but I'd like an excuse to give it another chance.