Agreed, I dunno what these people are talking about, Hot Rod is the movie that converted me to the cult of Samberg in the first place.
Agreed, I dunno what these people are talking about, Hot Rod is the movie that converted me to the cult of Samberg in the first place.
Yet another HTML abortion courtesy of Kinja, fuck you people.
So, DO have opinions, just never speak them out loud, especially to a delicate “creative”. I think I see a flaw in your argument here.
Makes sense, they’d have to add a whole SIX polygons to the standard chest, what a nightmare!
Now Netflix, what about that nice Tuca and Bertie we just bought you? I’ve barely seen you play with it.
I’m usually pretty wary of gritty reboots, but this new Captain Caveman show looks amazing.
We’ll always have David Lynch Teaches Typing! In fact, even after we’re dead, we’ll have it, and it will have us.
The difference is, Raw is good, Delirious is PERFECT.
“...with no input from Martin or his fellow co-creator Jamie Hewlett“
Right, because if there’s one thing that guarantees a successful adaptation, it’s getting as little input from its so-called “creators” as humanly possible.
Or sober with normal expectations regarding narrative structure. The plot only makes sense once it’s over, and you realize that tiny wisp of a throughline is the only thing tying this huge, blaring nothing of a show together.
Well I agree, anyway, primarily because that seems to be Reed’s entire storytelling philosophy in a nutshell. To quote another comedic genius, wit is shit, FUNNY is money.
That just makes it even more galling, really. Big Mouth was not a big hit when it premiered either, but they gave it time to build its audience, and it paid off, so why not extend the same courtesy to the T&B crew?
Extreme goodness and quotability aside, I think a lot of it has to do with the fact it’s a very episodic movie, so it’s really easy to just drop in at random. Even if you stumble over it right in the middle of a subplot and you can’t remember what’s going on, you know you’ll be safely on to the next one in a couple of…
Now you mention it, Archer would actually lend itself pretty well to a bit of pulpy cyberpunk fun if they ever want to bonk him on the head again. A bit of character development is all well and good, but some people carry on like there was some grand, Avengers: Endgame-style endgame in the offing, before Reed fucked…
I’ll never understand people who “questioned what the point of it all has been”. Did they sit through the seven seasons of shaggy, meandering, aggressively pointless fun that preceded it expecting it to actually GO somewhere?
His ass IS everywhere.
There HAS to be an appearance from Killface coming up, or at least an ersatz version thereof buried somewhere deep in the background.
There’s an alternate universe where they can go and fuck themselves.
I mean if you wan to get down to the bedrock, ASoIaF is about overcoming human frailty, physical and mental. The Night King was a straight-forward avatar of physical mortality, Cersei epitomizes the corruption of the human heart.
That bugged the hell out of me, I half expected Sansa and Tyrion’s last words to be an argument over who forgot to have the damn crypts de-corpsed.