"Advertising is based on one thing: happiness. And do you know what happiness is? Happiness is the smell of a new car. It's freedom from fear. It's a billboard on the side of a road that screams with reassurance that whatever you're doing is OK. You are OK. "

"Advertising is based on one thing: happiness. And do you know what happiness is? Happiness is the smell of a new car. It's freedom from fear. It's a billboard on the side of a road that screams with reassurance that whatever you're doing is OK. You are OK. "

This show is the king of sucker-punch endings. I don't feel right in trying to compare and rank them because they're all so good (Jane's death ranks among the most devastating scenes in the entire show), so I'll settle by adding this episode to the list of other BreBa episodes with killer bait-and-switch denouements…

This show is the king of sucker-punch endings. I don't feel right in trying to compare and rank them because they're all so good (Jane's death ranks among the most devastating scenes in the entire show), so I'll settle by adding this episode to the list of other BreBa episodes with killer bait-and-switch denouements…

Assuming you're talking about the Walt/Skyler scene, yeah, that was fucking chilling.

Assuming you're talking about the Walt/Skyler scene, yeah, that was fucking chilling.

Now I totally have the image of Walt, dead, bloodied, and riddled with bullets, lying lifeless on Jesse's hardwood floor as the Roomba slowly crawls towards him, bumps into his head, and then corrects its course and sweeps up loose dust around him.

Now I totally have the image of Walt, dead, bloodied, and riddled with bullets, lying lifeless on Jesse's hardwood floor as the Roomba slowly crawls towards him, bumps into his head, and then corrects its course and sweeps up loose dust around him.

That guy never ceases to amaze me, week after week.

That guy never ceases to amaze me, week after week.

It seems as though Don was trying every trick in his book to keep her at SCDP in that moment, I wouldn't judge his character simply on one or two factors of the scene. First, he plays it off like a rouse to give her a bigger salary. Then he tells her he can match whatever her offer was. Then he attempts to guilt trip…

It seems as though Don was trying every trick in his book to keep her at SCDP in that moment, I wouldn't judge his character simply on one or two factors of the scene. First, he plays it off like a rouse to give her a bigger salary. Then he tells her he can match whatever her offer was. Then he attempts to guilt trip…

Given the depth of their relationship and how much it's developed over the last few years, a simple handshake would just feel…empty. Don's reaction there was perfectly appropriate, a kind of heartfelt goodbye in the only way he can truly express.

Given the depth of their relationship and how much it's developed over the last few years, a simple handshake would just feel…empty. Don's reaction there was perfectly appropriate, a kind of heartfelt goodbye in the only way he can truly express.

Holy shit this is one of the best episodes the show has ever produced. I mean…holy shit, what an hour of television.

Holy shit this is one of the best episodes the show has ever produced. I mean…holy shit, what an hour of television.

That scene was absolutely perfect, about as good as the Don/Peggy scenes were from The Suitcase (except infinitely sexier). Don and Joan played off each other so well, both of them probably earned their Emmy nominations right there.

That scene was absolutely perfect, about as good as the Don/Peggy scenes were from The Suitcase (except infinitely sexier). Don and Joan played off each other so well, both of them probably earned their Emmy nominations right there.

I'd watch the hell out of both of those.

I was completely slack-jawed throughout the fight scene, absolutely beautiful choreography and animation. So far, I'd say it rivals the Zuko/Azula fight from TLA as the best in the Avatar-verse.