Ya, the Moody Blues. Didn’t you know?
Ya, the Moody Blues. Didn’t you know?
They’re probably more unnerved by the actual abuse.
Does someone who chose a career of getting the shit beat out of them already have a functioning brain?
I don’t even hate this. It’s not like he’s not right for the part. It’s not like you need a serious actor for that character.
I would think that most popular media has a cast that’s less conservative that its audience.
Killing off most of X-Force minutes after introducing them won me over. I never thought I’d see a live-action Cable, let alone Domino or Shatterstar. Got me to believe that we might actually see a live-action Mojo some day.
I could see a good Kroll/Mulaney bit about this. I think it would have to be about a fake product, though. There’s probably some brand that would let them run with it, but I think it would be more universal if it wasn’t linked to something real.
The church definitely has anti-gay leanings. There’s no maybe about that. He’s distanced himself from that, so he’s basically done what anyone else who goes to church has to do (deny that it’s a fundamentally flawed institution that supports all kinds of patriarchal and colonial oppression).
While this is true, you need to be a better filmmaker than Vaughn to pull it off. He rarely has a concerted reason to use it.
They could get him to come out for just the beginning sketch then. Have some big alum host, like Bill Murray, Eddy Murphy, or Mike Meyers.
Might as well get Chevy. Do the wolverines sketch as the opener, and when he comes out to say “Live from New York” subvert it somehow. Try to do something funny. I know it’s a tall order. They’ll probably get the Donald Trump guy to interrupt or something. Have all the sketches be callbacks that cleverly riff on…
Just realized I’ve been spelling it wrong all this time. At least I don’t have many reasons to write it these days.
This is why I’ve never been a fan of Noam Chomsky. Not funny!
I’m just trying to think if a diss track that isn’t mean-spirited. Isn’t that the whole point?
It’s a double negative. Very sloppy.
I would have liked to see what he would do with Watchmen. I also feel like he would have had a very interesting take on Superman as well. If he was around today I could see him actually taking a crack at the superhero genre.
That just lead him down a path to Trash Humpers. I think he exhausted what he could do with that sort of plotless filmmaking, and each iteration got uglier and uglier. All his later stuff reads like a guy who got sober, but kept doing the same things (I mean this metaphorically. I don’t know if he’s sober). Spring…
What was his reasoning for this? What did he think colour took away?
Not AS shitty a husband.
Jon Hamm?