tuscedero
Pseudo
tuscedero

I entered one of these involving Lynch before. It was around the release of Twin Peaks season three, and offered a trip to his Festival of Disruption—including an in-person chat. I didn’t win, of course, so I didn’t get to make a fool of myself. I’ll probably enter this one, too, in the hope that a video format would

Pretty great—especially for a rushed charity project.

Maybe it was explained last season, but I’m surprised the others haven’t killed Colin. Do they not know (or care) that he’s draining them?

Sounds like this project arrived at just the right moment for you. Seeking and allowing outside help isn’t always easy, but I’ve seen the rewards. My own issues require medication, a fact I rebelled against for almost a decade before accepting. Whatever form of help you’re alluding to, I hope it leads to peace of mind

I found the finale interesting, but unnecessary. Its themes had already been covered effectively by the game player narratives and the eventual reveal of Clara/Lee’s full story.

I believe all of the Clara/Lee related flashbacks actually happened, but are viewed from the p.o.v. of the game players. The only visual reference the players (and we, the audience) have for Clara is the self-portrait window-t0-the-outside mural. So, as they read her story, they cast that image as Clara. And when

Alanis put out a message last week about delaying her album. At the time, she had no definite new date to give, but now iTunes says September. And I’ve seen a few comments about The Naked and Famous, which I wasn’t expecting until July. If they changed to May, that’s great news.  Also, it’s been ages since a Badly

I didn’t realize how well Daddario could act until seeing We Have Always Lived in the Castle. She does impressive work in a challenging role.

TM’s expensive class prices leave me wary.  Charging so much makes it feel like a Scientology pitch.

Looking forward to AWOLNATION’s new album, as well.

Her “inner circle” is the Goop board of directors and Ron Paul.

For me, the typical Grimes interview provides a vital service. It keeps my love of her music from becoming idol worship.

It’s “centered around four ordinary people who feel there’s something missing in their lives, but they can’t quite put their finger on what it is.” Then these people “stumble onto a puzzle hiding just behind the veil of everyday life.

Didn’t know about that. I like McKinnon, but I’ve never seen her perform anything but broad caricature. Hope that’s not where she goes with this.

I hope the Elizabeth Holmes film still happens. That story is such a fascinating train wreck.

I had to turn off my ad blocker to see it.

Correction(?): I only remember seeing an end-credit for Rob Hayes, but there are articles saying Perkins was co-writer.

There are similarities, which occurred to me as I watched. But I do not recall seeing a goat.

I enjoyed this quite a bit. The narrative has a nice balance of tradition and reinvention. And though he didn’t write the screenplay, Perkins’ haunting style is on full display. Surprised it got a wide release. And one scene (mentioned by the reviewer) definitely pushes against the boundary of PG-13.

Didn’t Mandvi’s sister have some mysterious reaction to the smart speaker? Unless I missed something, the show never followed up on that.