AND THE PANS WON'T SHUT UP!

Hmmm….yeah, I guess a sketch that includes mention of a horse names Li'l Felcher WOULD be one of the cleaner ones…

"I just…can't seem to get the fog to clear."

I don't know anything about snooker other than the fact that it vaguely resembles billiards and how to pronounced "snooker" properly, but I could still appreciate the S1 finale where the two commentators sang the secret lyrics to Lady In Red that were about snooker.

…and the American version:

It's because it's Chicago's working class accent, not the accent that everyone who grows up here has.

I'm just looking for…PAPER CLIPS!

Digital video, yes. He did not have a film camera and a VHS camcorder side-by-side.

I don't know that I've ever seen or heard a work that's this misogynistic and come away feeling badly for the author the way I did after seeing The Room.

Oh yeah, I forgot about that.

I dunno Cook, if it were that simple, Jane Austen's Mafia! would've been the funniest movie in history.

Yeah, I haven't seen that ep since it aired 20 years ago, but my recollection is that she played Nancy Kerrigan in every skit she was in and still sucked.

I remember when the Brady Bunch Variety Hour was first available thru Netflix discs-by-mail.

It's also a gag that was recycled the first time Jon Hamm hosted the show.

It's kind of a shame that his monologue gets overshadowed by Sweetwater Jones and the Superfans skit where he's dancing in a grass skirt and coconut bra, because that was pretty good too.

"We're not gonna pass the ball to Blacky!"

You mean Kevin?

I agree that Leon was much less stereotypical and one-dimensional than other gay characters appearing on sitcoms of that era.

Hey, remember Stars Earn Stripes? The show founded on the premise that there's no such thing as too much blind worship of the military?

Hey, he may have been the most useless, but he was the only one to have a cameo in The Producers.