Yeah, that was an excellent touch. More people need to see All That Jazz.

I don't think I've ever related to Tina more than I did in that episode. Reading far too much into eye contact, a compliment, a conversation that went better than anticipated, etc. is pretty universal.

lol who are the people that randomly walked through here and gave this episode an F? Explain yourselves.

Fuck it, I'll be the first to give this episode higher than a B+. There was nothing overly special about it, but I was laughing from start to finish.

I was incredibly disappointed to see the middling score Alston gave B.A.N. because I knew we would be forever of a different mind about this show. That's probably my favorite episode and illustrates what makes this show so refreshing.

I viewed Watchmen for the first time earlier this year and was legitimately shocked that anyone can defend that mess. Horrendous pacing, poor acting, inconsistent tone and, lest we forget, it has one of the worst sex scenes ever filmed. Watchmen is not a good movie, though it is more entertaining than Snyder's…

I loved that the most generic, store-bought costumes won. That's pretty realistic, based on my experience.

1. Fort Night
2. Tina and the Real Ghost
3. Full Bars
4. The Hauntening
5. Tonight's episode

I dug this one a lot until the last act, when it all fell apart. Really clunky monologue from Tina and the resolution to the pumpkin plot made no sense. It's a B episode.

The pacing in this episode felt a little fast to me in general. There were some moments when a small pause would have helped. Sadly, Fox doesn't allow for that kind of breathing room.

Relatively speaking, of course. It's not an 11th episode of BoJack Horseman. But as Core Concept mentioned below, I fully expected this episode to be unbearably cringe based on the first act. It was heading that way.

Tina's eraser subplot was one of the best they've done in a while. One great joke after another.

Season 6 was a very good one for Gene and, yes, at this point I think he's caught up with most of the show's best characters.

Lol I notice you frequent A/V Club, saw you over in the Son of Zorn comments.

I just wrote a long review of this episode on No Homers Club (if you're on there, I go by the same username), but to keep it very brief, this episode was an absolute embarrassment. They tried so hard to make the Burns stuff feel like legitimate character development, but everything surrounding it was so crass,…

Damn, this show is still funny, creative and thoughtful into its 7th season. That was great. Lots of the terrific low-key humor and character-driven banter that we all love, but with a touch of playful weirdness and metaphor to nail down some of the episode's more significant themes. It's a really good piece of…

This episode was everything I dislike about Mr. Robot with very little of the good stuff. Angela's subplot was interesting, but I still feel like Esmail doesn't have a clue what to do with her character yet. She seems to be a completely different person in each episode, including her skill set. She's so strange, but I…

Esmail has some degree of faith in his viewers but, honestly, if a "it was all in his head" twist was the end game, he should have embraced strangeness and absurdity more frequently than he did. He tried too hard to make this season feel like the norm when it should have been deeply strange and uncanny all the way…

I was thinking mental institution from the season opener, so not far off at all. I was mildly disappointed by the twist this time around because it was so telegraphed.

I don't think running serves as a metaphor for anything - he's a horse. He ought to run. He was told to run throughout his childhood. It's in his nature to run. So he nearly reaches his demise and, at the last possible second, sees his own kind running. Sarah Lynn died the moment she decided what she wanted to be;…