Good episode, and a nice improvement over last week, but with that lazy deus (Logic?) ex machina ending it was not an A episode and that review did not read like an A either.

I count four really good albums over that stretch: Curtains, The Mollusk, The Fat of the Land and Vanishing Point. But these two weeks definitely saw the release of more canonically bad albums than most.

I don't get Beth these days. I really don't. I used to, but she seems to switch gears with every new episode, depending on what the plot requires. The Beth of the table scenes in Rickmancing the Stone would not treat her children the way she does in Pickle Rick. Beth would in the past, at times, but not based on the…

I actually did not cry watching this one despite bawling my eyes out over Guest and I Live Here Now, but Nora almost got me to that point. Always does. That fucking beach ball monologue was the saddest thing, and the way it tied into Laurie's role in the show as the necessary, doggedly logical wet blanket was…

Definitely the highlight of the episode for me. Everything else felt like amusing window dressing for this depressing scene.

The show is still fantastic, and I loved the first two episodes of the season, but a lot of this one didn't strike me as particularly funny. That's OK. They tried something and it was worthwhile, but it did feel like they were working with one hand tied behind their backs simply because they could. That's easier to…

I came around to this episode by the end. It's mostly a lot of I'M PICKLE RICK and animals/people being slaughtered while generic European bad guys wait for the inevitable, but the reasoning behind the transformation, and the therapy scenes, justified the gamble. Not an A episode IMO, but it was good. B+/B type…

Considering the significance placed on Perfect Strangers, it wouldn't have been the show's strangest pop culture subplot.

That entire scene made me want to cringe out of my skin. Every moment of it was brilliant and hard to watch, from the bag suffocation to Kevin's desperation to go to Australia.

What is it with Carrie Coon and technology in 2017?

Fucking fantastic episode and finale. I'm thrilled with it, frankly. Great job nailing down one of the most important themes of The Leftovers: the balance between freedom and human contact. Even outside of Kevin's journey (which culminated beautifully with his rendition of Homeward Bound; yeah, I cried), the differing…

The character work done for Patti here is amazing. I really started to feel for that woman.

My reaction to the ending, not yet having seen the following episode: stunned laughter and the repeated shouting of WHAT THE FUCK at my laptop.

I thought this episode was an enormous improvement over last week's because there was so much focus in the writing. 75% of the episode was dedicated to solving one conflict and it was carried out skillfully. Some great dialogue and drama happening here.

"In reality" it was streets ahead of season filler like Get Schwifty and Interdimensional Cable 2.

Way late in watching this show, but the unanimous adoration for season 3 brought me in. Had low expectations for season 1, honestly, but this episode…I haven't been so impacted by an episode of television in quite some time. I couldn't even tell you why. I think, after episode after episode of misery, the catharsis…

I don't want to call this review awful, so instead I will say that it's not for me. It didn't reach across the aisle, so to speak, to those of us that wanted to read about an episode of The Leftovers. It has functional grammatical constructions and all that, but it's useless as analysis of a television episode.…

Arya was involved in the best (wiping out the Freys) and worst (egregious Ed Sheeran cameo) scenes in the episode.

GLOW definitely needs to be on here. Marc Maron alone makes it worth that distinction.

Where the hell is Everybody Works by Jay Som?