So, this being Marvel, I think it's almost a given they won't hire any truly interesting directors but as far as journeymen directors go, they could do better. Although the more I think about it, the more I like the idea of Levine directing. He understands teen angst (The Wackness), mixing drama and comedy (50/50) and…

He actually did a good job as a director. It's just that the script(s) were crap.

A friend of mine suggested a while back that during a future Avengers movie, the intro to Spider-Man should be all of the Avengers fighting outside in NYC and Peter (in Spidey getup) peeks out the window, closes the curtains and goes back to sitting on his couch.

I saw Before Sunrise when I was 15 and I really did care and love it. Take that, you immature jerks!

"Nothing ends, Adrian. Nothing ever ends."

Mine:
Daredevil
Captain America: The Winter Soldier
Guardians of the Galaxy
The Avengers
Iron Man 3
Iron Man
Avengers: Age of Ultron
Captain America: The First Avenger
Iron Man 2
Thor 2
The Incredible Hulk
Agents of SHIELD

(Reveals identity as secret agent of AVC and shoots Whovian for assuming too much and assuming rightly)

Wouldn't you say it's best to go the final showing to avoid getting the crazies and have the best experience?

I think that's the one. I should probably ask my classmate to borrow it soon, but I'm reading other stuff right now.

Rian Johnson has said that his Episode 8 will be influenced by the soviet film "Letter Never Sent" and the WW2 pilot movie "Twelve O' Clock High." Having only watched the former, I'm not sure how that's going to be represented, but I sure want to find out.

True. I hope these movies can get away with this. I think some movies or studios get obsessed with thinking the audience won't understand everything.

Number three is related to what I'd like to see in these movies or the spin-offs. I know it's more Star Trek's thing to take us into different places out in space, and go into detail about them, but I'd like to have a Star Wars movie that takes the characters into places like black holes or red dwarfs, you know,…

Just to keep it short, although I have a lot to say about each:
Age of Ultron - 7/10
Inherent Vice - 9/10

You know, there's a substance that can help you forget about The Phantom Menace. It's called bleach.

Jurassic Park - Twice
The Lost World - Three times
Toy Story - Twice
Hercules - Twice
Return of the Jedi special edition - Three times
The Phantom Menace - Four times
Red Planet - Twice
Jurassic Park 3 - Twice
Harry Potter and the Sorcerer's Stone - Twice
Attack of the Clones - Twice
The Lord of the Rings: The Two Towers -…

I didn't know that. I didn't quite follow the production of MOS as I did with Snyder's other films. Very interesting that MOS it's his most location heavy film yet. I also noticed the brightness issue in Watchmen, and although I think the movie came close to capturing the color palette of the comics, that's one movie…

Probably. The only full-blown CGI stuff were the Mars and Vietnam exteriors, I think.

Come on, AV Club, you can do better than this. I don't mind the idea behind the video but it looks awful. Tons of color and tint bleeding. I don't see how anyone who cares about cinematography finds this acceptable. Plus, it looks like the video was full of crap anyway.

You know, you should consider the possibility that you might be colorblind.

The only Snyder movie that relies heavily on green screen was 300. Watchmen and Sucker Punch had tons and tons of set-work. I can't speak for MOS, although if you're doing a movie about a flying guy, I imagine you have to use a good amount of green screen.