Yeah. I over shared my sentiments about this awful creation on the Gizmodo post, and top among them is the manipulative score. Hated it so much. 

What you’re saying is that there’s a Gamestop bubble movie bubble.

I very much hope none of these movies ever come out. This whole thing is dumb as shit and absolutely not even close to movie interesting.

So that’s why the Biden team brought them back for the inauguration!

All this for a story that nobody will care about in six months.

On a side note, I think Topher Grace has the same issue. Pretty much all of his film outings have him as a “banality of evil” type. (Spider Man 3, American Ultra, The Black KKKlansman, Predators, That 70's Show...)

Robe Lowe? The dressing gown designer?

I think you’ve really hit upon the vital schism between Haneke and Lanthimos. Haneke, as a dramatist, aims to make you feel bad in the moment, and later, on reflection (or if you have the stomach for it, rewatch) you recognize the dark absurdity behind those bad feelings. You get to feel that Haneke was laughing at…

The White Ribbon is so good that I, a staunch Haneke hater who thinks he’s usually just a hectoring schoolmarm, also think it’s superb.

Never lock up your dick wolf, it might create one of the longest running franchises in cop show history.

They should’ve used DickDickGo instead.

Oddly, this is exactly the image that came to mind when I first heard the phrase “The Internet of Things.”

In spite of his rage he still locked his dick in a cage.

You’ll be back!

Okay that's enough AV Club for the day.

“I’d like to show I’m above the MCU in this snobby article about something I’m enjoying set in the MCU”

It seemed like the entire article was trying very hard to be critical of something but couldn’t quite figure out what it was. A lot of set ups for critique negated with “but that’s not a bad thing!”

Avril can’t be “dad rock” if she never rocked in the first place.

*works on car in garage, humming to self:

Why’d you have to go and make things complicated?