thewillowofdarkness--disqus
TheWillowOfDarkness
thewillowofdarkness--disqus

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The final volume of Locke & Key.

Getting different parts to work together can be tricky sometimes…

Perhaps he's just picked-up some storytelling clarity from interacting with Nudeador.

I'd say that's why Captain America works. He's the everyman audience surrogate who represents our ideals of justice and fairness, rather than the perfect super-being who shows us the right way of living.

I need to start something regular. So far I've only done short strips for a couple of art workshops I was involved in. Both times the question of schedule didn't enter the equation because a publication deadline was so close. By the time I got all my ideas aligned, I had to to burn through six pages in three days on

I think it's an intractable problem because the "crazy" minority shares too much philosophically with people who care about social issues. Most of the "crazy" stuff tends to be a response to perceived prejudice (e.g. harassment, shaming, etc., etc.) rather than much difference in who is deemed valuable and what issues

I'd say the specifics of Finder grasp you. At least that how it seem to work to me. As I was reading through it, I was continuously struck by the connections between the various moments as I went along.

Pretty decent.

Well, the point is concern for diversity runs deeper than that. The white boy should understand quite of the experiences of black girl with our having to specifically be taken through an in-depth personal narrative about her experience. It ought to a basic value that we consider diversity and that lives and voices

I don’t see the point of the question in this context. With respect to issues of low sales, it would make as much sense to question the comment of mainstream audience to buying diverse comics as much as any advocate of diversity. Speaking about advocates of diversity as if their purchases are everything to comic sales

But your case for the split between demand and sales is blaming the advocates of diversity, not the general audiences. You are saying that, supposedly, comics featuring diverse characters were selling because the advocates of diversity weren't buying them. Your argument blames them directly for lower sales and

The point is they are ironically unaware of themselves and how they are concerned about the actions of others. Sure, you say you are all about inflicting pain on others ( "Hey, life's just tough, after all) but the moment someone stands against you, demanding something like trigger warnings for example, the pain

No-one really does. It's about respect of value of the group of person in question. Whether or not someone wants to speak like that is sort of beside the point. This isn't a contest over whose definition dick is the greatest.

I think you've got a pretty prickly premise: that those who are arguing for diversity in comic constitute the large population not buying them. Is this true? Or is the lack of interest a question of wider readership?

I think what's really significant is whether someone is using a "past life" to claim their present self is connected to minority group.

I think that's sort of reflective of their ignorance. It feels like using the contacts and dark hair to say "we really respect Native Americans because we've accounted for why Jaquline doesn't look like them." It sort of reducing Native Americans to an expected (sterotypical) physical appearance.

I always feel the joke is on the attempted joke in that case. From a logical point of view, someone feeling "transracial" is actually nonsensical or absurd.

I can't say too much without spoiling rather a whole lot of things, but a major theme is people who feel out of place in the culture and society in which they are living. Early in the story, this is somewhat apparent, but it seems a bit of a tangent to the plot. As the story goes, the major characters and main plot

But the problem is that the story kills a gay person. In this instance, the combination with history of the trope and the way the show has represented gay characters means killing the gay character is the problem. The social issue (representation of gay people) is not separate to the question of the story told and