It’s actually quite common among rich families in the US to have your unruly teenager literally spirited away in the dead of night by anonymous men to intensive “rehab” focused on behavior correction. I’m confident that’s what happened here. Really fucked-up practice.

Yes, let’s put movies in boxes. That’s why Oppenheimer is over 3 hours long and filled with court proceedings.

Schindler’s List was set in Germany. Oppenheimer is set in the geography where it was happening, when it was happening, starring the very administrative body which allowed it to happen. Apples and oranges doesn’t even begin to cover it; at least those are both fruit.

“Believer” and “Deceiver”?? Holy shit I hate this fucking guy.

Oh! Boring!

Pretty pathetic to see the comments defending the movie for this, many operating under the assumption that there were no Japanese people in the US and therefore it would’ve been completely far flung and irrelevant to include their perspectives. This film takes place during Japanese internment and completely ignores…

Because Japan didn’t massacre thousands of US civilians?

Yeah, well fucking done for showing the literal LIGHT from images of what happened playing across his face. Issue addressed!

You must reeeally need to feel smart to call me a “dumb dumb” for taking the eminently reasonable position that things made by AI were not made by humans. As if sampling from public domain makes any sort of difference - if anything, it’s worse.

I simply have no room in my heart for horror movies that aren’t scary. This, Freaky, and Happy Death Day can go back to the winking nudge they came from.

That’s like saying drone strikes are the same as armed combat because they both use guns.

It’s hilariously bad-faith to categorize art that literally wasn’t created by humans as “slightly different.”

I don’t understand how it’s possible to like the rest of the movie and not the ending.

Well that just filled my heart with warm, fuzzy feelings. This is going to be a wonderful nostalgia trip.

Dunkirk didn’t have Oppenheimer’s marketing.

Really? It’ll just prove once again that people will go see the movies they’re told to see.

This is what the kids call a “mid-off”

Take a systemic look at this; is it really that surprising, given how rarely Black and women artists get prominent interview spots in rock mags?

All this acclaim is really going to confuse folks in a decade or so.

I’m not talking about the amount of content.