theundeadtailor--disqus
theundeadtailor
theundeadtailor--disqus

Whenever Tom Hanks shows up in a cameo on SNL you can tell he's having the time of his life.

"Retro-futurism," sci-fi from the 1950s or whenever is pretty fascinating in the same way.

So "The Inspector Clouseau series" is one of the most successful spin-off franchises ever.

A Shot In The Dark is better than The Pink Panther.

Aykroyd was good in Sneakers. But everyone was good in that movie.

The opening montage shot of Root watching the kids at a school crossing while holding that automatic rifle was a great one.

The flashback with Grace stuck with me. It was just so… warm but sad. I just want them back together!

Also good in Snowpiercer.

Whoa. Didn't know…

Haha, sure. I was just thrilled The Host got mentioned at all.

Right, great analysis. I meant was the lobotomy sequence a little gag about the main character's lack of intelligence?

The much-hated trailer opens with the text "30 years ago, 4 scientists saved New York" which any reasonable viewer would think the movie is a sequel. Every single bit of other promo material says the movie is a reboot.

The shotgun scene halfway through the movie was possibly my favorite edit of the year. I don't want to spoil it though.

I still don't get the idea of having all their cameos as different characters. It just makes me wish this was at least a proper sequel not a reboot.

For this movie, they'll have a cameo with Kesha getting the ghost sex.

Ghostbusters Cinematic Universe in full swing.

Jigsaw (played by Dominic West!) was one of the oddball highlights of Punisher War Zone.

It's been a while since I saw the movie- was the joke that after the father underwent the lobotomy, he was exactly the same?

We watched Grindhouse opening weekend and there were less than 10 people in the theater with us.

Peter Travers from Rolling Stone ended his review of Cloverfield with this amazing shout-out:
"But I'm not ready to concede that it's impossible to make a monster movie with a meaning that cuts deep and characters we can see ourselves in. In 2006, South Korean director Bong Joon-Ho did just that with The Host, a film