thesedays--disqus
these_days
thesedays--disqus

It sounds like this clip was dubbed over by David Cross to make the dude sound like he was getting a sexual thrill out of solving these puzzles.

I'm still coming to terms with my relationship with this. I didn't party in high school, and generally had a bad time for those four years. I hit puberty hilariously late, and despite sprouting up to 6 feet tall before graduation I never let go of what I so affectionately refer to as my "little turd" complex. It

Well this was just plain terrific.

Well this was just plain terrific.

At first I was like, "Hey! Nobody says that about Stones Throw and DOOM!"

Great job, Donna. The alternating pacing of this series is really what insists the viewer to stare, unblinkingly at the screen not risking to breathe until the show is over. 

Their live show is absolutely fantastic. Rarely does a band who hits that hard on stage make an album that holds up to the live experience, but they did. METZ, you're doing it right.

Their live show is absolutely fantastic. Rarely does a band who hits that hard on stage make an album that holds up to the live experience, but they did. METZ, you're doing it right.

Hold up to what? The honor of the Mercury Prize? I think that's kind of a flawed basis for a review. They explicitly stated their only ambition was to make a pleasant album. I'm sure they're thrilled/shocked they earned the honor of winning it this year, but it certainly doesn't seem like they were trying to place

Hold up to what? The honor of the Mercury Prize? I think that's kind of a flawed basis for a review. They explicitly stated their only ambition was to make a pleasant album. I'm sure they're thrilled/shocked they earned the honor of winning it this year, but it certainly doesn't seem like they were trying to place

this is awesome. great job. was recently told a story of a kid at a Trash Talk show in straightedge attire slapping beers out of people's hands. the movement lives on…in kind of an annoying fashion.

I'm not really sure anyone would read a book about AC/DC with the expectation of much insight.

I'm sure it wasn't intentional, but one of the riffs in "Out of Tune" is eerily reminiscent of "The Hand That Rocks the Cradle" by The Smiths.  Surely someone else noticed this, right?