I know. They are doing weekly reviews of Twelve Monkeys but not the beautiful mess that is Helix? I know I'm not going to agree with every editorial decision, but there are enough interesting shows (Grimm, American Dad, Helix, and I assume others) not being reviewed that I think you could hire an extra critic or two.…

The Strain is bad. Helix is a big, sloppy mess. But it can be fun in a silly, pulpy way. The Strain could learn a lot from Helix.

Spike Lee angrily tweets Glen Campbell's address.

The greatest thing about Helix is the feeling that not even the writers know where the fuck anything is going. There is no end point for the season and each episode is written in order with no idea where it needs to go. Sure, this meant the ending sucked, but until then, if you don't think too hard, it's a fun pulpy…

Yes, but her head works for a lot less pay.

It's the perfect role for Billy. He can lurk in corners, whisper conspiratorially, and show no emotion and it will seem like a character choice.

That's just what they wanted you to think.

I feel the same way about Lindsey Lohan movies.

Why be gay if you are not fucking gay?

"Ballance of Terror" is pretty well done, even if it is really just a WWII submarine battle.

The Genetic Wars of the 1990s had many repercussions on technology.

I think on the Blu Ray you can choose between the remastered and original cuts. On the HD release, it was just the remastered.

When you think about it, he helped shape for a couple of generations what a robot should be.

“first practical experience” was working on a film called 100 Men And A Girl

Cider vinegar apples?

I bought a Stereo! Wow! With TWO speakers!But then I heard the quad with the four speakers and I was like this is it, so I got rid of the stereo and got the quad.

I know. I mean who wastes good pot on an infant anyway?

Are zombies good lovers?

Given fashions after the zombie apocolypse starts, who would want to live?

Come on, everyone knows that the gays have controlled the zombie apocolypse since the mid-70s.