And such a disappointing moment in the remake when they did the same scene with CGI and it fell completely flat.
thephoenixx
thephoenixxx--disqus
Not to mention it just lacks all measure of subtlety. They never really said he was a child molester in the original, it's just heavily hinted at and that's all we needed.
"Ready, Kafka?"
Shocker is a cool concept and tonally very gloomy, I liked it when I was younger. Rewatching it though, it's uneven as hell (the bad guy doesn't even show up for like…ever) and could have used a lot of re-work.
Pepper Steak.
HEY PAUL WHITE! YOUR DAD'S A STUPID BASTARD, AND I'M GLAD HE'S DEAD!
Everybody hates this song and I just find it an enjoyable wintery pop romp that is only really a Christmas song in name (and some random jingle bells).
He's produced a ton, though I've always gotten the impression that he's more of a conductor for less visible producers (like D-Dot) in the way that late era Dr. Dre would really just be having one person arrange drums, have Scott Storch on the keys etc.
Malice had a lot of stinker lines that were trying too hard, and I think Pusha T has a better overall flow.
I know I sure as hell am. But then I'm a fan of pretty woman with lots of ass, regardless of how vapid they come across as.
It was actually a really well-written speech. Something about the futility of life and our only chance at a semblance of control being in those decisions we can make without fear.
Annie was Kilmer. Elroy was West (because he's old).
Maybe you can do Marchie Bunker where you watch nothing but All in the Family re-runs?
"I like the tuna here."