I’ll save you all some research: vodka does not improve this movie.
I’ll save you all some research: vodka does not improve this movie.
“That way, instead of looking like a low-IQ, black version of Alex Jones, he can just say it never existed.”
Are you perhaps suggesting that expanding an SNL skit from a one-time thing into a long-form narrative would be a bad idea? Perish the thought? /s
“Hey, aren’t you the sad horse from The Sad Horse Show?”
I lost a little faith in the show after the end of Season 3 when it had the same basic structure of the previous two (Bojack hits rock bottom but then a last-shot hint of hopefulness) so I’m glad they’re shaking things up.
“At what point does mere flirting (no matter how awkward) turn into harassment?”
I like the reenactments on Unsolved Mysteries. But that’s a product of its time, and it was filmed, blocked and edited to (at least attempt to achieve) cinematic quality.
As far as the “maybe humans are the real monsters after all” thing, I listened to a few episodes piecemeal and found it pretty enjoyable, then made the mistake of binging multiple episodes in a row and found that for most episodes, you can’t tell the difference between his final tie-up narrations. “We don’t know for…
Muller didn’t give up his fancy law practice and cushy life to pin Manafort to the wall on tax evasion. He came here to get to the bottom on the collusion issue. I would say it’s more likely than not that he’s got a purpose behind what he’s doing.
Well, remember that the FBI investigation has been going on for something like 18 months now. Muller got those files in May or so when he got put on the case and he’s had a massive staff working around the clock on it.
This, and the idea that Minaj is “letting” the defense team use her fame as some kind of extortion defense is pretty out there. That shit stain is their client, not her, so if he wants to use that defense, she doesn’t really get a say in that.
I would not be surprised if one of the writers slipped “sport” into Holden’s phraseology next season.
Yeah, exactly. Here’s the thing: if you’re someone with anti-social personality disorder, narcissism, BPD, whatever, and you’ve gone so far off the deep end that you spend your free time murdering people, you don’t have a lot of sympathy for complete strangers to you. You’re thinking about your own interests. So if…
I’m not trying to be flippant, but I’d say that the “serial killer is going to keep escalating until they’re killing constantly” is more a dominant motif for fictional serial-killer drama than real-life murderers.
I assumed it had to do with the question asker assuming he would side with the gay man in the scenario. Which, yeah, was kind of rude to say. But . . . dude. Take the high road.
I guess I agree with the gist of Dan’s advice to HISBUM (her only real recourse is to get over it or issue an ultimatum), but I think it was pretty shitty to accuse her of being a homophobe AND being controlling. This dude can feign ignorance all he wants, but he’s still engaging in sexualized behavior with someone…
Looking forward to celebrating Chris Evans’ ten-year anniversary of claiming that he’s finished with acting.
Absolutely loved that scene of Holden wandering through the hazy, dreamy blackout room. I just figured it was sociology students being weird, but the reviewer implies it’s a thing that’s done. Can anyone fill me in on that?
As far as I understand it, the understanding of pedophilia in the late 70's was that it was sexual perversion akin to (and often intertwined with) homosexuality. I suppose this takes place after some (limited) mass exposure to LGBT issues in the general population, but the understanding is certainly going to be…
As other people have mentioned, one of the nice things about this show is that it very much limits the “disposable woman” tropes, so it feels less voyeuristic and cringey than other media of the same genre. There’s more discussion of misogyny as a concept but on the whole it’s a less misogynous show than, say, True…