Oh snap!
Oh snap!
I stopped scrolling after your comment, because I figured it wouldn't get more succinct than that!
You left off the worst of his traits: he's a "lazy vegetarian"!
This was one of the best episodes of the season, in my opinion, even if we're just considering direction (though the plot points, current and in terms of callbacks, were great too, as were the acting and writing). The shot of Nikki's arm extending toward the motel curtain was sublime. The lighting of the jail cell…
Great finale, that one.
They will never even hint at what happened to the departed, which leaves off the possibility of a character "reuniting" with them.
The ghost of Philip Seymour Hoffman would.
HBO shows almost always go big on their penultimate episodes, then small on their finales — I remember that from "The Wire" and "The Sopranos" all the way up through the end of "Girls."
This was masterful episode, in terms of surprising us while also building on what we've already seen, which has been one of its ongoing strengths. The writing and acting and direction were grand slams. The fact that they brought back those two actresses (and not just in token roles, I felt) gives me hope that the…
Does it rhyme with Wife on Cars?
He wasn't specifically looking for her, as with the others.
I think he felt he was flubbing his weird conversation with her and his cover was gonna be blown.
This episode will clinch his Emmy nomination.
I thought the handlebar mustache guy was familiar!
Ha, funny analogy! Except the preponderance of alt-right comments under "The Atlantic" articles would be like strychnine in the system…
Sorry, actually it was Showtime CEO David Nevins: "The core of it is Agent Cooper's journey back to Twin Peaks."
Good catch.
Damn, good theory! Like that underrated show "The Riches"…
Good observations, brother from another site. (From which I was banned for simply alluding to Stu's place).