I think it's possible that the machine will give Finch a number that is essentially a wild goose chase, one that leaves Root alone, allowing someone to free her.
I think it's possible that the machine will give Finch a number that is essentially a wild goose chase, one that leaves Root alone, allowing someone to free her.
A solid but unspectacular episode, although I liked Carter learning who the head of HR is, and Root warning Harold about what's coming as bigger picture ideas for the rest of the season.
'Slavery is so hot right now!' said a History Channel executive, shortly before being fired.
Just when you thought it was safe to crown FX (and FXX) as the new home of great original programming….
Chris Brody is Homeland's T-Dog.
Yes, and Tina was flying around the restaurant in the same outfit through the credits too.
Even though the kids are just with Bob and Linda, rather than off on their own, this week, they're still endlessly entertaining. Loved Gene and Louise claiming things while Tina struggled, and the way they did their own specific riff on 'Are we there yet?' when Bob was cutting the ropes was great.
I heard a clip from this that contained a discussion started by Diana about whether or not a heart could really break, and then she says that she doesn't think you can 'make burgers'. There are so many different stories about Diana's life that you could made into films, but this one just feels like the safest its…
I too love this show. This episode has three separate parts (although two of them merge together) and they're all great to watch, and it's got the confidence to have Carter doing things by herself while Reese, Harold, Shaw and Root are doing their own things.
Of course it is. It's badly made and absolute nonsense. It's also hugely entertaining.
Come on now, it's utterly ridiculous! There's Christophe Lambert trying to be Scottish, Sean Connery trying to be Egyptian, incredibly cheesy dialogue, you can see the strings and the Queen music is totally OTT.
Highlander is such a great bad movie that it's completely pointless trying to remake or reboot it. A new one will look better, but it will still end up being a bad bad film.
Cross Murder, She Wrote with Quantum Leap. Octavia Spencer is a cursed woman who travels the US trying to find the person who cursed her. She knows that the curse will lead to someone's death in each town, and she has a limited amount of time to stop it.
Just re-air Seinfeld as 'Elaine' and see how long they get away with it.
If NBC had any sense, they'd reboot Airwolf.
Poor Mark Gatiss is getting all kinds of flack for not knowing when it's going to air on the BBC. If we don't get it first, it's war!
Mmm, delicious brains. What was the question again?
This show is woeful. It's like Merchant has adapted rejected scenes from Extras, removed the celebrities and changed the character names. Have someone famous hosting that party, put Gervais and Ashley Jensen in the swimming pool, and it's a new episode of that show.
April stealing the question marks to put on STOP signs was not only a great line, but something that she definitely wasn't joking about doing.
This is a pretty good episode, but the one issue I have with it is Abigail having no reaction to being introduced to Sherlock. He said that he was calling himself Sean Holmes when he corresponded with her, and clearly the letters meant a lot to her, so wouldn't she at least think it was an odd coincidence that she'd…