My favorite moment in the whole series (O Children comes close) is in Goblet of Fire when a traumatized Harry uses the portkey to escape Voldemort by the skin of his teeth—in the darkest, scariest scene of the franchise so far and possibly ever—and arrives with Cedric's corpse back at Hogwarts to a dissonant…

It is PG-13, disappointingly but predictably.

Oh, no. I'm a big fan of the word "fucko." I didn't hope to share my taste in colorful obscenities with Bill Nye.

My 7th grade science teacher memorably told our class that she'd danced with Bill Nye at a sciencey convention of some kind and he was the most condescending person she'd ever met. Then we watched a couple of Bill Nye The Science Guys. That's my hot Bill Nye goss.

I know calling it a comedy is strange, maybe just wrong, but the 2005 Pride and Prejudice is probably in the top twenty movies I've seen in terms of laughs produced. And that's pretty atypical for me with movies of that kind. But it's hilarious. Tom Hollander is amazing, his complimenting the potatoes is one of my…

I think anyone who's seen Four Lions can agree that 50 is wayyy too low. I'd put it in my top ten of the century. Hilarious and deflating.

Absolutely agreed and a little disheartened that so many people seem to love it. The quality of the writing has just plummeted the last couple seasons. It's all fanservice and nonsense now, the very thing it once seemed to stand against. This show used to be essential viewing, and I've put so much time and emotion…

Finding Nemo's title card is probably the best ten seconds in all of cinema.

One of the all-time best celebrity cameos. Out of nowhere.

I don't feel good about this fact, but my enjoyment of The Beatles roughly triples when I'm high. Few bands so clearly benefit from the extra dimension and the distortion of time—their songs are just eclectic enough and just unified enough that it really feels like they're taking you on a musical tour. And John's…

Stylishly-dressed young people standing around awkwardly in front of barren off-white walls is always a solid indicator of quality

StarWipe is pretty awful, which is sad and surprising given that it seems strongly O'Neal-affiliated.

At one point there's a throwaway gag about meeting a woman who smiles at you in "the bashful manner of a mentally challenged man caught strangling a stray dog." Killed me.

It's not just that her face gets brighter—that entire scene is brightened and given more color in the last twenty seconds as she moves in. She brightened Elliot's world.

Gotta be the worst episode since Something Ricked. Woof.

I'm so glad someone mentioned it. The first time I heard that album, I was like, "This is literally my taste in music." She kills the bangers, she kills the torch songs, she kills the experimental classical interludes—the whole thing is so lush and soaked in melancholy.

1. Susanne Sundfor - Ten Love Songs.

I have to say, the one hump I'm still getting over on this album is that CRJ doesn't have much of a cohesive personality over the course of the record. She nails it on a song-by-song basis, but I don't come out the end with much of a feel for who she is.

Probably my favorite track on the album. Just the right amount of sexy and creepy and kind of surreal, with that weird hooting accompanying her voice on the chorus.

I think this show has been openly toying with the audience re: Fight Club similarities from the beginning, and the song choice was perfect because yes, this is the episode where the Fight Club stuff is basically confirmed, but it's a weirder, deeper, sadder distortion of the Durden/Narrator dynamic. It was a way to…