Holy shit. It's that too. Beautiful.

I agree, I usually love Zack's reviews but these are getting way too recappy, especially given the insane, brilliant shit this show is doing!

One of the best-written episodes of TV I've ever seen, and one of the best-ever stories about a father and his young daughter. Bob's Burgers is telling genuinely poignant stories about childhood with alarming grace right now, and I don't think people are paying enough attention.

Hawk and Chick is one of the best-written episodes of tv I've ever seen. I'm terrified that it will be forgotten, so I think we need to set up a Hawk and Chick Awareness Program to ensure it gets the attention it deserves.

Kipper the Dog. Likely the classiest pre-k show ever made.

Honestly, I'm probably pretty biased, I don't think Laura Prepon is particularly attractive and I've always felt that her character bogs the show down, which is the opposite of how a lot of people feel, I know. I'm sure that part will be fine. This trailer just has an off-putting "All your favorite kooky characters…

I love this show to death but I'm a little worried it's starting to slip into fan service, especially with the thoroughly unnecessary return of Alex.

And they're all basically revisionist Westerns!

I actually think The Rover gave me exactly as much closure as I desired. I love it when the real meaning of a film doesn't come together until a single, "Ohhhh, I get it," moment at the end, and in The Rover, it's literally, like, the third-to-last shot. You don't even realize the film is essentially a mystery until…

Not that a stranger on the internet saying he likes it will prompt irl action, but it's my single favorite film of all time, and my taste is only mildly shitty.

No Country, There Will Be Blood, and Assassination of Jesse James are the holy trinity of 00s American film as far as I'm concerned.

Moonrise is the only Anderson film I have a personal affinity for and it's one of my ten favorite films of all time. It's the perfect match of style and narrative; the fussiness of Grand Budapest just made it difficult to connect on an emotional level. Moonrise, on the other hand, is just bursting with sincere emotion.

True Grit: in which the Coens' unexpected, deceptively straightforward appropriation of a classic Western renders it startlingly revisionist within the context of their own oeuvre.

Yeah, what happened to the spoilerphobia article about how not knowing what happens isn't essential to storytelling?

His monologue about lions was pretty great. I was surprised how good he is. But Eva Green steals the show.

Yeah, Pacific Rim has so many problems, but it earned my love forever and always just by virtue of that awesome fucking sword scene.

It's rare that I wish a porn star was more vanilla, but I never really found anything Grey did sexy. Just over-the-top. Which is a shame, given how weirdly beautiful she is.

Yeah, an… animal… monster… machine… armor… weapon? What is going on there? This season is just balls-out madness and I love it.

I'm currently wasting my life away in film school in LA, and I can confirm this—everyone LOVES this movie. It's already one of THE movies of my young generation. Regardless of whether or not it's a good movie, twenty years from now there's gonna be a huge wave of young filmmakers citing it as one of their biggest…

The road trip episode where they pick her up from rehab might be my favorite of the season, despite the weirdness of her material, and the idea of her working in a children's boutique isn't yet the expected goldmine, so it's not all bad, but she certainly hasn't neared the surprising, relative greatness of Marnie's…