Of course you, because it's an infinitely better album, both in terms of the tracks and the production. Nothing's Shocking is scary and dark; Rio is like a Carl's Junior in Dallas.
Of course you, because it's an infinitely better album, both in terms of the tracks and the production. Nothing's Shocking is scary and dark; Rio is like a Carl's Junior in Dallas.
Somewhere Foucault smiled (and kissed a belt buckle).
Uh, yeah, great story, bro. You stole something so you wrote a song called Been Caught Stealing. You should check out my new tune, Didn't Give a Fuck.
Hey bro, when they invite you play the hallway next to the bathroom, you say "no thanks," and leave.
Meh. People act like she's the second coming, but her music is icy and reserved to a fault. I miss the days when our pop starts were emotive and energetic. I feel that Twigs—like the Weekend, like James Blake, like too much of modern music—is made for people on oxycontin.
Wait, are you talking about the new version or this old one?
Or, "if it borrows a horror trope, it's horror." Sure, AP has horror elements, but it's anything but scary. Pan's evokes existential horror, but then that's not a "horror movie."
Ah, thank goodness.
Or the Producers. Terrifying.
Are you saying that any movie that addresses fascism is a horror movie?
How is Pan's Labryinth a "horror movie"?
I forgot to get my baby out of the car!!
I once received a riveting two-hander.
Tron definitely lives in that category of "better in your memory than in reality." I hadn't seen it in probably 20 years and I got it to show to my kids . . .
ROCKY HORROR 2 FTW
Here's the deal: how in the fuck could Clu "beam" his army into the real world? They'd all come out together in that tiny room in the back of the arcade, and would be smashed to dead. It'd be like that scene from Animal House where the band marches itself into the alley, times a billion.
Sure, it was nice to see old, frumpy Lebowski, he was just in the wrong movie.
Actually, yes. 1.5 hours of bad-ass lightcycle and disc battles. Take the rest of that claptrap (and whatever the HELL Michael Sheen was doing) and kick it to the curb. I mean, damn, Tron 2 made Tron's script look absolutely tight by comparison.
The problem with Tron 2 was its terrible, horrible, downbeat, moody and introspective script. I mean, hey, Flynn is this dashing character, not some old fart who's been up his own butt for an eternity.
Only the finest!