His shows where he “rewards” people for surviving his game are rigged. We’ve had first hand accounts.  And didnt X-Factor US give away 5 million for first place? 🤔 

I can’t stand the mechanics of the games that they release, but their art and animation is undeniably incredible.

This looks interesting, to say the most. But another gacha game from Hoyo feels like the last thing anyone needs

I can’t wait until we can stop hearing about this guy and stop seeing his face everywhere. Based on his facial expression in everything I’ve seen him in, I’m not convinced he’s not a hostage and his videos don’t hold a secret message begging us to free him from his torture.

“It’s called Breaker for a reason, not Hyper Light Drifter 2,” creative director Alx Preston told me in a hands-on preview when I asked what the number one thing he wanted people to know was. “This is its own game...it stands on its own two legs.”

Can I pay someone to stop putting this guys face in the thumbnails? I no longer wish to look at dead things.

Interesting this would be tagged under Street Fighter 6 and nothing else.

Geoff is our Dorito Pope.

Never considered Way of the Samurai obscure.  It received a lot of coverage when it initially released and several sequels.

as someone from Ireland , I really wish we could get a remastered version without the terrible accent (no offence to Robin Aitkin Downes )

This is just Nintendo being arseholes for the sake of it. They have a long and ignoble tradition of just being twattish about things. Fuck ‘em.

I loved the game and didn’t have that problem, my issue was all the bullshit things they expected you to do to 100% it, like win janky ass volleyball games or jump rope perfectly 100 times in a row or run towards the screen away from a Banzai Bill doing perfectly timed triple jumps onto blocks you can’t even see until…

Everyone? I’d be surprised if even 10% of Nintendo’s user base knew that. The average gamer doesn’t even know the difference between a developer and publisher.

Just finding this out

Interesting, I didn’t have that problem at all.

I had never seen that Dragon Balk Kakarot commercial but that one got me. It’s funny how universal that experience is for anyone who grew up around that time with Dragon Ball regardless of where you were. 

FYI, the last tweet in the series is by current Dragonball Super’s manga author Toyotaro. He says,

Dragon Ball Z airing on Toonami was THE flashpoint for anime becoming mainstream in the U.S. There were occasional anime dubs in the U.S. throughout the 80s and 90', but outside of Voltron no real big hits (and even Voltron wasn’t nearly as popular as the big 80's cartoons like Transformers or He-Man). Even DBZ…