I think they'd probably want something a little more hardcore. Probably Mastodon.

I think he sent her to the Boltons because any way it worked out, it benefits him: he gains the Boltons as an ally by seemingly handing them "the key to the North"; but don't forget, he sent her there with the admonition to play the game of thrones and if she succeeds, he has the heir to the North as an ally; if she's…

Every time she has a regal moment, I always think of what Tyrion told her last year when she said, "I have the support of the common people":

Plus that would bring Bronn out of hiding, I suspect. This season needs a dose of Bronn.

I'm rooting for the Faith to choose — for no legitimate reason whatsoever other than the Sand Snakes' need for revenge — Tyene. FRANKENGREGOR V. THE BAD PUSSY!

She probably knew a few Thenns in her time.

I was wondering about that as well. It's almost like one of his eyes is juuuust a slight bit crooked and was tilted toward the camera while the other was looking just offscreen. Still though, yes: creepy.

So, like, a yoked-up Napoleon Dynamite?

I also did not realize that one horn blow meant "rangers returning" AND, apparently, "Hey guys! Visitors!"

I honestly thought that was the idea at first — that all the fire would attract Drogon.

I'm wondering if maybe his whole philosophy boils down to "stay useful, stay in a position of power," and he's not the grand schemer everyone thinks. He's stayed a few steps ahead of the game so far, but the game is getting deep.

It doesn't hold up very well, but sophomore-year-of-high-school-me thought it was the shit.

The first Afroman album. (yes, there is more than one)

There kind of is a Frankenstein… but no shame there at all. If you don't like medieval fantasy, GoT is definitely not going to be your thing. Although one of the things I like a lot about it is that it's much lighter on the "fantasy" part than most entries in the genre.

To me, "Dark Side of the Moon" is 1000% better both musically and in terms of exploring various aspects of a fragile human psyche, while also being 60% shorter. Like most double-albums, you can cut out about 50% of "The Wall" and have one pretty good album on your hands.

I remember liking it when it came out (was a high-school senior at the time); watched it again a decade later, and it really doesn't hold up very well at all.

When Neil Young is good ("Powderfinger"), he's very good. When he's not (an entire record around the concept of his environmentally-friendly fucking LincVolt hybrid), he's REALLY not.

Oooookay, that's what I thought you meant.

THANK YOU SO MUCH!

I'm sure I'll get ruined for this, but Pink Floyd's "The Wall" just sucks so bad.