She spent the rest of her life with him, so there's that.

You're missing out on some great aspects of Highlander: The Series, in that case.

Star Trek: Voyager easily takes the title for me on that front.

Why would Data even be that invested in television-viewing habits?

Do you really think
Gaiman is staying up nights
In dreaded torment?

I feel confident
That a Sandman helps him sleep
On piles of money.

The official line from the Lucasfilm Story Group is that the series is still canon—at the same level of consideration for Indiana Jones as The Clone Wars and Rebels are for Star Wars.

Since Indiana Jones was shown to be still alive in the Nineties (and in his nineties) on The Young Indiana Jones Chronicles, I'm surprised this was even being raised as a possibility—if there's one thing that already seemed clear, it's that Indy would survive.
How he came by that scar and eyepatch, on the other hand…

The Young Indiana Jones Chronicles taught us that he'll spend his later years telling those kids (and anyone else who will listen) many stories of his youth and service in World War I.

The year is never stated in the original movie, so you could think of it either way, but this sequel is what pins down the timeline.

I think the shudderworthy aspects of his private life are part of the same phenomenon, given that we know about them in the first place…they're public enough that you could see them as part of the overall Hef persona.

There are both pornographers and other sex workers out there that are feminist, inclusive, happy with their career choice, and not exploited at all. People need to look beyond the most facile mainstream clichés of what those industries entail.

Matthew Perry was also in that pilot, just prior to Friends. Overall, I feel he made the correct career decision.

That's some excellent commenter synergy.

The difference is that the premise of HIMYM makes its overall success much more dependent on the series sticking the landing—even the title hints at a finale.

They have their appeal,
But Gaiman's words are cheaper
In pixels than print.

Cookie Monster holds up well in solo appearances.

Mack's friendship and loyalty towards Fitz were some of my favourite character beats from Season 2.

I quite like Rosenman's score for The Voyage Home—it's whimsical when it needs to be (which is appropriate for a comedy), and optimistic and uplifting overall (which Star Trek should always strive to be).

Finch has been shown using his bong numerous times, alone and with others (including his sister), on Limitless (a CBS show).