Keep crying, loser. Cry forever.

I’ll follow along here for the season. But folks, if Donna Bowman’s writing on BB/BCS meant anything to you over the years- as it very much does to me- I’d encourage you to check out her new home for tonight’s episode and the rest of season 6 to come. You might recognize someone else there too.

- The Nicholas Cage!

Eyes closed, he sighs deeply and pinches the bridge of his nose.

“They need to know. They’d want to know. Someone needs to tell them.”

With a heavy heart, he raises his right finger in the air, in the universal symbol of “um, actually...”

“Um, actually, 2001 was the first year of the 21st century. 2000 was the final…

It looks great, but the insufferable POS in me is going “Why make it look like cheap 70s 16mm filmstock if you’re going to put expensive modern camera moves in?”.

I know I know: yes I am a riot at parties.

Framing multiple points of view under the G/O ownership as not having an “identity or firm stance” makes about as much sense as chastising the ’90s-era critics at People and Entertainment Weekly for not having a “firm stance” on a movie or an album.

Ah yes, another bizarre and embarrassing instance of one writer for a website not being in lockstep agreement with another writer for another website, who have the same parent company and absolutely no other editorial overlap. Weird!!

I like to imagine that Redmayne does every interview as a whisper yelling combo like his Jupiter ascending character.

My first thought was that he’s done a good job explaining why this show sucks.

Was the costume meant to deliberately look like Lunette from The Big Comfy Couch? I can’t unsee it.

I could say the same thing about cancerous tumors so fuck off.

“Well, IGN says the latest Call of Duty sequel is 10 out 10 and has a little bit of fun for everyone, any critic that disagrees is clearly not doing their job right”
-A lot of fucking idiots

I listened to We Hate Movie’s Patreon only episode about An American Werewolf In London and they had the same predictions as the review did here. There was also a funny bit where they talked about how Jason Reitman gets to lord over the fact he made a remake of his dad’s work before John Landis’ shithead son got to do…

Dude, if you’ve convinced yourself that the older, kinja-less version of the AVClub would go any easier on this trifle, I don’t know what to tell you.

Hey, it’s actually exactly what the trailer promised! That’s...disappointing. 

I’m a simple man: I see live-action corgi, I give show a chance

I can’t really speak to the quality of the last few seasons as I’ve always just kind of caught a few episodes of the show every couple years at random, but I have enjoyed following discussion of it ever since the Russell Davies era and it feels like the show has always been on the brink of disaster from an idiot…

Yeah, this has Gentleman’s F written all over it.

Bright was TERRIBLE. 

Now do Classical Gas.