There’s the Canadian Cut. It’s like the American one but really apologetic about it.

I think this interpretation lets 1982 off too easily. The theatrical release is inferior to the director’s cut, of course, but it is still an excellent movie. I don’t know what Siskel and Ebert were thinking.

I think they should do a Theatrical Cut of BR:2049, with a saccharine happy ending where Gosling wakes up off the steps, shakes off the snow, and goes in and lays a big long Clark Gable kiss on the memory gal, as Ford gives a big thumbs-up in the background. Freeze frame, then some fun credit-roll scenes a la Animal…

Some scenes were extended to fit the narration, and the original “Directors Cut” didn’t have time to cut these back down, so it can be a bit awkwardly paced at places. The Final Cut fixed many of these.

I don’t think the movie is boring without it, but I didn’t hate it. After all, the movie is supposed to be an homage to film noir detective movies that usually had such voice overs.

The weird “happy” ending is trash, but i still dig Ford’s VO and find the movie pretty boring w/out it

I agree Teese’s statement didn’t feel strong enough. Especially compared to the condemnation of Manson that Rose McGowan wrote.

I think it’s more that there are certain “trope phrases” in our culture when talking about abuse, and it’s hard not to talk about abuse without somehow using them or seeming like you are going out of your way to avoid them - Think “victim”, “survivor” etc. I think her rhetoric is along the lines of trying to speak to…

Ok, I appreciate that words can be misconstrued, but given that this wasn’t an off the cuff remark by Dita von Teese (it’s clearly a well-crafted statement) I have to say that I personally loathed her choice of words in her statement,

I didn’t catch the SNL performance, but after listening to the YouTube clip in the article I think “Shame Shame” might be the most interesting sounding thing Dave Grohl has done in years. It has a sort of NIN energy I dig. Without the bland rock chorus it’d be a homerun.

Krist Novoselic seems pretty stable and pretty decent.

My experience in YouTube comments sections suggests they’re the same sort of fans who think Batman v. Superman is superior to Shazam! because it’s more “serious”.

I would watch a movie called “Do The Thing Or Get The Boom” with no more advance information than the title.

I’m so fucking sick of this movie.  I’m sick of the Snyder fanboys who willed it into existence.  I’m sick of the vague-ass controversy surrounding the movie.  I’m sick of Ray Fisher, who won’t say shit about what the fuck happened.  I’m sick of everyone throwing Joss Whedon under the bus; he’s a piece of shit, but…

Is Jared Leto playing Heath Ledger’s Joker in the Snyder Cut?

i would argue that no, the photo does not lead to any such speculation. 

Uh... You guys think that a black and white, out of focus image of a person in white makeup is inherently evocative of Heath Ledger's Joker above all else?

File this under who gives a shit. 

Wouldn’t be surprised if Zack thinks the Joker is the hero of his story...

So what does that really mean, though?