thatsunpossible--disqus
Thats_Unpossible
thatsunpossible--disqus

The Runaways have a running joke of never having a team name.

It's not bad but it's super pointless and is outshined immediately by From the Ashes.

Yeah, looking back, Wizard is really weird about this. There's one interview I remember that was Paul Dini, Kevin Smith and I want to say Bill Jemas where they were talking about Harley Quinn and increasing visibility of female characters who were active participants in the action, like Quinn, Danger Girl, Witchblade,

I agree. It's a neat idea as kind of a treat for people who have a PlayStation or a Sony TV or something but it's awful hard to expect people to buy all of this extra stuff just to watch a show. I mean, I've had a PS3 for 6 or 7 years and never paid for PlayStation Gold, so it wasn't like I could see the show that I

I skipped it. I read the first 5 or 6 issues of the book and thought it was fine. Just not necessarily my thing and the show didn't look like it was going to fix that.

It got me through many times when I wasn't able to play D&D but wanted to feel like I was.

I would really love to reread all those interviews that basically boiled down to "Which of these characters would you rather have sex with?"

I am missing a lot of issues of Dragon and very much would like to see them online. There were fewer better magazines to cater to the "nerds politely disagreeing about rules" demographic.

They really did their best to make it as hard to see as possible. Not only did you have to have a PS3, PS4 or Sony Account, you had to pay for the premium service in order to watch it at all. Even if you're a die hard Powers fan, it was an awful high barrier for entry.

It's a show that operates on this weird intersection of Old New York culture obsessiveness, haughty pop aggression, generalized rage and this very queer, over-the-top Broadway style that both plays to the rafters and hates people who "play to the rafters."

The thing about it blowing up is really odd to me because it's such a niche show. It's such a weird combination of old New York culture obsessiveness with this weird, angry, aggressiveness that I can't imagine how it plays to people who aren't familiar with or interested in those two things. It just isn't a show for

I've run CoC now for about 5 years and the biggest trick is making sure everyone is aware of what's coming in this game. I mean, players need to know that while they should be attached to their characters, things are not going to go well. It's a game about brutality, about being beaten and broken by things that you

There are things I absolutely despise about MGS4: the way everything is explained away with nanomachines, the way it awkwardly retcons a lot of what's interesting and subtextual about Sons of Liberty, that 30 minute Big Boss infodump at the end, the way it expects you to care about Drebin. That being said, it's

I originally got Hulu years ago solely for the BBC backlogs, streaming Top Chef and simulcast anime but anymore, their original series have really made it worthwhile. "Difficult People" was my favorite show of 2015 and it's rapidly becoming my favorite of this year too.

I definitely would have done this for an encounter in the wild. They were in one of those rare moments of being in a relatively safe spot as well as having the time to wait until nightfall to start their attack. I feel a little bad torturing a low-level group of new players but my plan is to kind of poke them forward

That's probably smart and I've done that with more experienced groups in the past. I think this is one that's still taking a little time to figure out what everyone wants for the game. Everyone has a great time when they're just wandering around, taking on encounters and occasionally dealing with friendly NPCs but the

I know your pain on the micro-roleplaying. I've played D&D for about 15 years and now running a game with a group that has never played before and it's pretty evenly split between obsessive preppers and players who live and breathe for combat and exploration. Everyone seems to have a good time when the action kicks

I liked watching the things explode.

GI Joe. There is no other argument. Larry Hama's Marvel run on the property is arguably the most influential comics run of the 80s/90s and created the idea of the licensed comic as we know it today. It also outsold Spider-Man at its peak, a feat only the Star Wars comics of today have topped.

This guy bears a striking resemblance to one Greg Escalante.