All things considered, this is probably the better course of action in this case and this case only.

It's a situation where you're really forced to root for the bad guy. Black Bolt knew the explicit details of what he was doing with Kang and now he's breaking the deal just because he was wrong about the universe being destroyed. I know I should be all for him getting his son back but, jeez dude, you're the one who…

The thing that most bothered me about those Bachalo designs is that Magik and Emma both had almost identical costumes. You cannot convince me that there's a world where Emma Frost would look at someone else, realize they're wearing the same outfit and not demand the other person change.

Weirdly, I think We Are Robin is more directly evoking things like Occupy Wall Street than Black Lives Matter. Certainly, some of BLM is in there but I feel like the series is more directly about the economic and social disparity than racial disparity. Having said that, the book did (SPOILER) kill off one of the two…

People far too often forget that Captain America was explicitly created by two Jewish men, incredibly aware of the threat Nazism represented to Eastern Europe and, potentially, the world.

The modern TCJ reminds me a lot of how I feel about Michael Moore. I vastly agree with what they're saying but I would enjoy nothing more than giving them a long, incredibly well-deserved, swirly.

You don't remember all the times Plissken would grunt, quizzically say "Metal Gear?" and then dive roll into a group of helpless guards?

That demon face ending is really awful. It's probably the low point of the first one. I saw it a couple years before its theatrical release when it was doing the festival circuit and I remember there being some giggles at the finale.

Once they get to the second house in PA3, it basically just becomes one long, incredibly tense descent into insanity. After a theater full of people laughed their way through the first half, the screening I was in went dead silent. It was really neat.

The first one's use of making the filming at least partially responsible for what happens to them is probably the best example of what made it rise above just being a Blair Witch knockoff. It's a really neat way to blend the mythology and budgetary restrictions. I tend to pick the third as my favorite, for its low-fi…

Very different tone wise. I Hate Fairyland is basically a Chuck Jones short with more blood and violence. I'd say it's pretty strictly for fans of Young's art. I like him a lot but I don't know that I'm signed on for the whole series.

Yeah, I'd put it among my favorite Moore books.

I know I'm basically alone in loving Punk Rock Jesus but that book is great and I would love for Sean Murphy to do more.

The Dimension Z stuff is a ton of fun and I like a lot of the characterization between Sam and Steve but by the time Steve is fighting a hellicarier/Transformer, things have gotten kind of off the rails.

TEAM PENELON LOTT

"Of course, we're girls. We have to be fighting about a boy. Misogynistic piece of…"

Says the guy whose username is, well…

Bendis' Moon Knight is hot garbage. Probably the most objectively bad comic he's ever written.

I tend to respect Bendis more than like his work. He really tapped into a way to write dialogue in a TV style people clicked with and he has a skill at picking new artists that's basically unparalleled. I like some of his books an awful lot but I like him as sort of an architect or designer of the Marvel universe…

Yeah, I kinda shrugged. It's definitely not the "This changes everything" cliffhanger Marvel's foaming at the mouth PR department portrayed it to be.