I only do it a couple months at a time. I still think it is almost prohibitively expensive, especially considering how many weird holes it has and how unintuitive the interface is.

Thank you and corrected in my post. Tom King should never be slandered.

I stand corrected.

You are not alone. At all.

I liked Batman Eternal overall. It's pretty derivative of a lot of past Batman event stories, namely Knightfall and No Man's Land but it was fun. It definitely seemed like Snyder knew where things were going with it, even if the stuff at Arkham Asylum dragged and some of the Blue Bird/Spoiler stuff seemed a little…

Hope is my favorite living McGuffin in fiction.

Minutemen was really the only Before Watchmen book worth reading.

The explanation sort of began and ended with "experimental surgery." In all honesty, letting it just be a mundane thing was probably the best way to put Barbara back in the cowl without saddling the character with more baggage.

I have the singles and the trades. I'd like to get the Absolute just for some of Morrison's notes and annotations.

His version of Strife is one of my favorite characters right now. DC should really be treating her more like their universe's Loki and as a villain for the entire line, not just Wonder Woman.

I know I've talked about my criticism of Alan Moore here a lot but the Annual where Deadman, Etrigan, the Spectre and Swamp Thing travel through Hell, reenacting Dante's Inferno is one of my favorite single issues ever.

I'm not saying these writers are bad. I still think there is a culture of hiring TV and movie writers because executives somehow think that they're more legitimate. Honestly, does Jeff King really inspire you to pick up Convergence? Is that a name that's drawing you to a property? I love Spider-Man and the X-Men but…

It's still probably the definitive Swamp Thing run. I don't love everything about it and if you have problems with some of Moore's writing, it's not going to dissuade you from them but it's some of the best work of his career.

He explains it quite a bit although it's still very Morrisony. More than anything, it's the way Morrison sets up his conclusion on Batman villains and what makes a good villain but it's still pretty much perfect.

I think the best way to think of the Rot is to think of it more as the idea of Death rather than Decay. Soule goes into the differences and similarities between the kingdoms when he takes over the title. Paquette does do a great job on the layouts, even if it does feel like he's doing Rick Veitch-lite. If you like…

SLIGHT SPOILERS FOR MORRISON'S BATMAN AND ROBIN
The big reveal with Sexton makes a little more sense during Batman and Robin Must Die!, which I genuinely think is one of Morrison's best stories. Really, his whole Batman and Robin run floats around best Batman stories of all time.

You're really getting to where the Azzarello Wonder Woman run gets really good. I was a big fan of that whole run but as the stuff with the First begins, it becomes a legitimately amazing comic that definitely belongs in the upper echelon of Diana stories.

It's a one-page, mostly gag-strip but Salem does say "Sabrina, meet the future King of Hell" which is pretty great.

I'm trade waiting on this but I can't wait. It's a creative team I love and Ming Doyle is legitimately going to be the next huge thing in comics. She's immensely talented and I'm so glad she's getting the recognition she deserves.

I'm not through my stack and I've notably still got the new issue of The Fade Out, Ms. Marvel and Chilling Adventures of Sabrina saved for this weekend. Still, some really good stuff.