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telepresence
telepresence--disqus

I don't ship them at all (Sigh, my poor adrift Skimmons 'ship), and I still disagree with you. First, they're both nerds. And they've been platonic friends for years. Telling someone you have feelings for them isn't harassment in and of itself (they're both adults, he's not her boss, etc), and he totally took no for

Joss has almost nothing to do with Agents of Shield.

I'm sort of the designated "break down all the new series" guy for my circle of friends. I was explaining that as far as I was concerned, Quantico was "Priyanka Chopra's face: The Series"

I thought Cosnett was plenty charismatic on The Flash. He did well with a tough role, the "other guy" who isn't a villain or an asshole or a loser.

They dedicated a whole damn season to him slowly recovering from that brain damage, and there's been a bit of a time jump even since then. The reviewer complaining about that seemed insanely picky to me.

The slave auction joke would have landed better if Jenny hadn't drafted Gronkowski seconds before.

Of course, this flies flatly in the face of all other "what dogs are willing to bite/eat" behavior.

It's a sign of how good the writing (and the actor's delivery) was that you instantly realize it's a terrible creepy riff on the carousel speech.

Except all this was just coming from Lori. None of the men had any gender based problems with Andrea. Lori was just awful.

If you check her on IMDB she's been in a ton of stuff, but I first saw her in a well regarded little movie called Zero Effect, and then really liked her as Joanie Stubbs on Deadwood

I always loved how in Buffy the Vampire Slayer's Sunnydale, the (corrupt) medical establishment created a condition they called "Neck Rupture" to explain away vampire bites.

I love Kim Dickens but I disagree with you here. I think she's a very good actor, but I think she does tend to go in the direction of underplaying, and if the writing is poor, that can leave her a bit unreadable.

Hey now. She hasn't wrecked her car on an empty flat road yet. She hasn't told another woman to go to the kitchen and make sandwiches for the menfolk. And she hasn't insisted people do things and then blamed them for doing what she asked them to do.

At least we know when push comes to shove her character will smash some fucking heads. That's a good sign. Remember, Carol was once basically useless and annoying.

Attack the Block is movie filled with literal criminal asshole teenagers, but the writer still makes them likable and you want to root for them.

Because actually conveying critical information would be useful and smart. They can't be having that. Much better to tell a rebellious teenager "Don't go outside. It's…uh….dangerous!" Because that'll work.

Highschool of the Dead is tremendously frustrating for me. On one hand, it's a pretty good zombie apoc series I'd love to show to my friends who otherwise like zombie movies and tv shows. On the other hand, the fanservice is cripplingly offputting to everyone I've tried to show it to, and I can't blame them.

1. Studio 60 should have been about the running of the entire network. The Ed Asner, Steven Weber stuff.
2. The actual Studio 60 show should have positioned within the show as being awful . A nadir years of SNL level mess. It's just as dramatic if not moreso as the show being good, and much funnier than the

Hey, why don't we go track down some Midwestern White Americans in their mid 60's who have never heard of "Who's On First?" I bet there's a ton!

"Only" 4 very good shows? If we tally up 2-4 good shows on Showtime, HBO, NBC, ABC, CBS, Fox, CW, AMC, FX, Netflix, Amazon, plus a few randoms like maybe a show from Syfy here or MTV there or a few from BBC America, maybe something from Starz or History Channel or Cinemax (The Knick is amazing), you very quickly get