George R.R. Martin will write and executive produce alongside Ira Parker

Perhaps, but they’re also relatively short and there’s only 3 of them. House of the Dragon was able to expand its material, but those were essentially encyclopedia entries that one could flesh out.

I’ve seen one thing from Issa Lopez, “Tigers Are Not Afraid”. It’s decent. That’s not the literal translation of the original title in Mexico, but that line appears in the movie SO MANY TIMES.

I think that season 3 got overlooked because so many people started dismissing the show after season 2 (which I regard as an interesting failure).

My thought was that Hollywood is more comfortable putting black/brown people in front of the camera than a woman behind it.

A real waste of talent, who could have made another solid original action-comedy but instead Hollywood’s dependence on IP produced that instead.

last year’s abysmal The Unbearable Weight Of Massive Talent

You still can, and I often do, via Redbox.

Transgender rights? What were they like 30 years ago? Was R.G. & G.R. Harris Funeral Homes Inc. v. Equal Employment Opportunity Commission a 1980s decision in the alternate timeline you come from?

Winning the culture wars for 30 years? Did you just slip in from an alternate timeline where instead of constitutionalizing gay marriage they abolished no-fault divorce? Has church attendance been going up instead of down over there?

The Whale is actually set in 2016.

Whereas I have only ever had one kind of haircut in my entire life because it’s the only one whose name I know (and also I have no reason to change).

I was unaware any of that took place in the then-present.

What’s Spielberg’s equivalent of Pacific Rim?

I thought the reason was the poor reception of the live-action Mario movie.

Anna Biller’s “The Love Witch” put more dedication into recreating a period (late 60s) than virtually any other movie you’ll come across... and then casually has characters whip out a modern phone or show up in a modern car.

I like to think most of those babies were happy accidents.

The last contemporary Tarantino movie was Death Proof in 2007. For the Coens it was Burn After Reading in 2008. For Paul Thomas Anderson it was Punch-Drunk Love in 2002. For Wes Anderson it was The Darjeeling Limited in 2007. For Steven Spielberg it was War of the Worlds in 2005. For Guillermo del Toro it was Hellboy…

David Koepp got the actual (sole) screenplay credit on that, and he’s also got one (out of four) on this.

It doesn’t seem like she did all that much acting before or after she fired her team.