I think condemning violent threats is far enough into “goes unsaid” territory that it doesn’t really seem to qualify as “news”.

The real mystery is why anyone would be willing to put their name on the other Newswires here.

No, it isn’t. It may improve from season to season, but it started very low and even at its best wasn’t that great.

Which city?

Much like students completing a writing assignment:

So her last shot will show her petrified after the protagonist does something horrific ostensibly on her behalf but over her vehement objections?

If the eye isn’t actually missing but just healing after an injury, one might wear a patch.

Looking at (or past) the camera is not breaking the fourth wall.

I haven’t heard of the latter, which sounds very strange.

Nobody is actually dying on any hills, we’re just commenting on a declining pop culture website.

I never actually read it, but I used to read Alan Sepinwall and I remember him talking about it.

Could I interest you in a “Throw Momma from the Train” comparison in these trying times?

The best is John C. Reilly in “Walk Hard”.

He’s also the exception in the book “Difficult Men” about prestige drama showrunners.

Just because their marriage was on the rocks doesn’t mean she doesn’t think what happened to him was horrible.

I’ve read other speculation that his plan was just to tie her up with the cord, which is why he’s still talking about how everything was going to work out.

I think Morbius was just an error that others will learn from.

Sergio Leone insisted that A Fistful of Dollars was really just in the tradition of the Italian play “A Servant of Two Masters”. The British version of that was titled “One Man, Two Guv’nors”.

Why release it to theaters after it already debuted on Hulu?

It’s nominal determinism.