teageegeepea
TGGP
teageegeepea

I believe they’re married.

The Turn of the Screw was written prior to The Haunting of Hill House.

I second your second sentence. I was skipping past a lot of that stuff.

That synopsis sounds like it’s for the first season rather than the second.

“Went away”? Netflix won the bidding war. D&D signed with them. They can’t make a deal with somebody else unless that somebody else pays Netflix enough to let them out of their contract. There wouldn’t be another bidding war until they reach the end of that contract.

Someone just posted a John Hughes ending for the last episode with just that sort of thing. I’d link to it below, but we can’t link to comments anymore!

Was Dane Cook considered edgy?

I’m sure a lesbian actor would want to have a leg up in obtaining such a role, but from the point of view of casting a role do you even need to know an actor’s sexuality?

For any other minority group would we adjust for how large a percent of the movie industry they make up?

For some Alexander the Great may be beyond a doubt, but the sociologist Randall Collins thinks he was not only not that but uninterested in sex generally:

I would not have guessed that the representation of gay men would be higher behind the camera rather than in front of it, but then I don’t have personal experience.

Braddock is a Robert Redford type in the book, but the film made him more stereotypically Jewish. The screenwriter imagined him as an atavistic throwback to from parents who assimilated in California.

Is it really that hard for a straight woman to convincingly play a lesbian?

Yes, that’s completely broken.

Neither is Gaby Hoffmann.

I don’t think women “dominated” as directors in the silent era, though there was a decline afterward. The first wave of feminism was tied to Prohibition, and the (ultimately successful) cultural enemies of the latter were not really on board with the former:

Dried up? There was a huge bidding war for them:

Per Matthew Yglesias, it’s ok to cast Jews & Italians as each other because both are shouty cultures.

There’s an even simpler reason to cast non-Jewish actors: Jews are a couple percent of the population, so there are just going to be a lot more gentiles to choose from. So you can have Jill Soloway, a Jewish showrunner, make no attempt to tamp down on the Jewishness of her show to appeal to a broader audience, but