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"Hi, we're total strangers with mostly no skills here to take advantage of your home. Don't talk to my son." Madison, such a charmer. $5 that she opens up the basement next week. If Chris doesn't beat her to it. Actually, thinking about it, the whole group is pretty competitive in that pool.

Sansa revenge would be more like "Oh have you all killed each other? What a shame."

A man does not need to satisfy your narrative.

Yeah this was complete bullshit. Bellamy at least is somewhat believably in character to make everything be about him, and how it's not his fault, really. But then they had to switch in plotClarke for actual Clarke to make doodoo eyes at him and set up the Bellamy/Clarke hookup. Nope nope nope. The less said about

yep. but i felt like i could really tell, he wants them, he needs them, he hates them because he hates needing them, hates wanting them, he can see what he's doing, and he doesn't stop. he's still being a butthead, just also a real human (who's a butthead)

I had similar thoughts about Cato, but Alano Miller (and the director &c) saved that scene with that final beat after Henry leaves - you can see him see his own bitterness. Someone still needs to punch him in the head a few times, tho.

I really want a Spanish spinoff now. It could be so good!

Did H'ank really say "enemies at home and abroad"? Wow they really just don't even see it, like fish in water. "No more secrets." Except, you know, from Congress and the public. Let me guess, you're just trying to protect them.

They convince me more each episode that the stupid ones will be the survivors. They'll probably accrue new competent people each season, and then kill them off with their stuporpowers. Travis, King of the Pacific.

It's obvious by now that asking for coherent time travel logic is asking for a different show. Which means that it has to be carried by the strength of each episode, on its own. So far, not so much.

he didn't know that about ALIE - check surprise at how she ignores the first shot. but yeah, i get that it would be weird and hard. though if he could just move her aside enough for Octavia to get up, the two of them could have managed it. still, it reminded me a tiny bit of cop shootings tbh. he acted out of fear &

The only credible redemptive arc for Bellamy ends in death. Screw that guy.

And there, hanging from the credits, was .. a plot hook!

Carrie is the Batman we need, but not the one that we deserve.

i knew it wouldn't matter but i was so happy to hear Fitz lay out the strong anti-time-fiddling case. "It's just the 4th dimension!" you tried, Fitz.

that was the best part of Cap 2 - realizing that the agenda you've been supporting and defending for years was a totalitarian one - and it's like Agents of SHIELD's *purpose* was to erase that. no no no, SHIELD was *good* we just had some secret bad people secretly being bad in secret. "let's look forward, not back".

Shannon Houston's posts on pastemagazine.com, for one - they don't do actual reviews either, too busy giving perfect 10s to Supergirl…

I can't believe that this crap is getting weekly reviews while Underground gets shelved with a pat on the head.

welll that gets into it as an issue about "precrime", which is the real problem, i'd say. except for how time travel "works" in this show is nonsensical.

This was beyond moronic in so many ways, but the worst was the classic TV show narcissistic "morality". This kid kills MILLIONS of people, but pfft, who cares, the important thing is the Captain's own son. Only people we know personally matter. Nobody else is real. What we want is good because we are good, and these