No. It was back in season 2… the 9th episode. That was the mother's only appearance. Saul and Carrie's two go-to spies break into Quinn's apartment and find a picture of her and a baby. They track her down and discover she's a cop, but she hasn't seen the father of the baby in four years.

While I like Aimee's version the best, I thought Richard Patrick's creepy vocals for Filter's cover of it on The X-Files soundtrack worked pretty well also.

Imajica is his best, but this is a close second. It deserves better than the CW though. Like someone else said, I hope Barker's getting a good paycheck out of it at least.

Oh please tell me, how exactly does one suck a fuck?

Hooray for unexpected bonus coverage! Thanks, Alex.

The serpentine music playing combined with those creepy eyes and predatory stare made Mrs Wellick look like she was getting ready to coil around Elliot and crush him

I didn't think it was any worse than regular Walking Dead. And it had Kim Dickens, and that's always a plus.

"Poor choice of words." — Heath Ledger's Joker

Makes perfect sense. The minute I heard the music it reminded me of scores Martinez did for Solaris and Contagion, both with Soderbergh as well. He likes that sparse sortof dreamy feel. Reminds me also of the scores from Ex Machina and Humans.

There were always others. They just weren't doing it on purpose.

YES!!! The freeway shots.. the dialogue… the attention to the seeming minutiae of the plot… allowing itself to indulge in style over substance sometimes…(Farrell and Vaughn in the car together was pure Miami Vice)… I loved it all.

Nice review. I knew this season was going to end bleak, but damn…..
I was silently yelling at the screen just like I did for De Niro to just get on the plane to New Zealand with Amy Brennaman in Heat when Velorco went to see his son.
I really loved the brief encounter between McAdams and Vaughn.

This show is consistently ending on strong (if messed up) emotional notes that leave me with my mouth open staring at the screen.

If the fight at the end of three and the global sing-a-long in episode four don't get you on board then it isn't going to be the series for you.

Tangerine Dream's "Love on a Real Train" from the Risky Business soundtrack was my favourite part tonight, but more screentime for Carly Chaikin didn't hurt either.

I'll never hear "The Thrill is Gone" the same way ever again.

I read mine on a 12.2 Samsung Note Pro. They look amazing. I don't like how they look on my 7" Nexus or even the old iPad which is still to small for my taste.

Ben Stiller's Tom Cruise with John Mahoney's Paul Newman in The Color of Money SNL parody is the best thing Stiller ever did.

Fuckin' A, man.

I thought he was the creator of Family Ties and Spin City, no?