The problem I have with Baldwin's impression is the problem I have with Will Ferrell's Bush: it makes him a bumbling oaf, which Hollywood has conditioned us to love for decades. Baldwin's Trump is far too endearing, more than the real man. The residual goodwill rubs off.

Deathlok. Cyborg working class daddy from season one.

In all fairness, this show has tons of interesting platonic, professional relationships between the sexes. Coulson/Skye, Skye/Mac, Coulson/May, Fitz/Bobbi, Skye/Fitz, Mac/Bobbi… all well-defined friendships without a hint of romance.

I also would love to see Runaways/YA, but is John Ridley really the guy you want doing those shows though? Marvel's probably eyeing him for something in line with the gritty street crime of its Netflix series. Why the hell would you get Ridley for a team of colorful teenagers having lighthearted adventures?

I love Warren & his evil dweebs because they're the only Big Bads whose stated goal is to attack Buffy personally. They're the only villains who can't go toe-to-toe with her physically, so they work anonymously to erode her spirit, make her suffer as much as possible (I guess until she kills herself?).

It should be fairly obvious from my username. Someone floated the theory that Inside Llewyn Davis is the story of the Coen brothers when one of them dies. To me, there are few things that reek of cosmic injustice more than the idea that Joel or Ethan would have to carry on life without their second half.