It’s always interesting to me which seasons hit for which people. There are a small number of universally beloved seasons, and a small number of largely reviled ones, but mostly they’re somewhere in-between. All of which is to say, Season of the Splicer, as thematically cool as it may have been, is the least I’ve ever…

I think it means surprise... surprise and fear... fear and surprise... it means fear and surprise... and ruthless efficiency... it means fear, surprise, and ruthless efficiency... and an almost fanatical devotion to the Pope... amongst the things it means are such elements as fear, surprise... I’ll try that again.

Blasphemous generated huge early interest largely on the strength of its dark, Spanish Inquisition-tinged visuals

I suggest Looty McLootcrate

I like that there’s apparently even a “woke SJW” version of doing crimes and killing people. Somehow this game where you steal cars and murder people is too PC? WTF?

This review is proof that spoilers are actually good.

....eeeeeh.

It’s weird that all of y’all in the comments are acting like it’s news that tons of people thought Ghost was mediocre. Kotaku and most of its peer sites said as much when it came out. It’s a competently made open-world action game with a strong aesthetic. Nothing more, nothing less.

Welcome, have fun, hope to enjoy your work, and stay out of the social media link comments.

Fun as these memes are, I can’t argue with Sakurai on this one. There’s little more frustrating than having words put in your mouth.

It’s already in the lore - vague and retconned to hell as it is - that “Jesse McCree” is an alias.

To her, their worth is in the joy they bring, not how much money she can get.

Ensuring that we have a safe and welcoming work environment is my highest priority. The leadership team has heard you loud and clear.

“It is this type of irresponsible behavior from unaccountable State bureaucrats that are driving many of the State’s best businesses out of California”

This is a great blog written by a very handsome boy.

an excellent new voice in journalism.

Yay! Patricia’s back! Yay!

Your voice will be missed here Riley. Even in the past year and a half, your daily posts about what was going on really helped pull me and many others through some tough times. I wish you all the luck on what lies in store for you!

It’s very weird to watch the Kotaku I’ve lived with ‘Ship of Theseus’ itself over the year. It’s still Kotaku but that’s just a brand, it’s the writers and editors that we come here for and it’s always sad to see them go.

Go on then.