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And yet look how much people are talking about them. It's cheaper than a marketing department...

Everyone in a ten mile radius would be instantly pregnant. Yes, even the men. It would be weird.

You're talking about an RPG, had the opportunity to make a 'critical hit' joke, and didn't.

Nope. Played quite a lot of Goldeneye again just a few years ago, still brilliant.

Tony promised him $100 for doing the cleaning.

I mean the overall message about representation. But you're right, she is very selective or sometimes downright inaccurate in her reporting to guide the viewer's thinking.

This is the thing that's always bugged me about her. Everything she is asking for is perfectly reasonable, and would make gaming a more open, accepting place for everyone. However, if you happen to mention that while you support the message (because who wouldn't?), you think that the person delivering it is greedy,

No problem! I see lots of people using "British" when they actually mean "English" and it always annoys me! (Although not as much as I imagine it annoys anyone Welsh, Irish or Scottish!).

I suspect you mean "English" accents (although there are others in the game, the ones in that trailer are all English). And they're not even posh.

I think this is my biggest issue. I appreciate articles like this saying 'minorities are under-represented in games, and when they are used it typically as a stereotype' but the bigger issue for me is that game writing for *every* character is generally horrendous.

I know this article is about race, but having a female character in a game and making her abilities all about *dressing in different outfits* opens up a whole new can o' worms...

Pretty sure the sequel was cancelled recently. Which is a shame, as it was looking interesting.

Now playing

It's black. That's like...*all* colours. At once!

Exec producers don't necessarily do all that much. If I was a cynic I'd say that Nolan was only made an exec for the DCCU so that WB could say that he was attached to them.

TP does seem to get dumped on more than most of the other Zelda games though. It feels like after enough time has passed a consensus is reached about each game (Majora's Mask being many people's favourites for example, or Wind Waker settling into an 'actually it's great' groove) and for TP it just seemed to be 'it

I don't really get the hate TP seems to get, I loved it. I appreciate people considered it a bit of a Zelda "greatest hits", but when you're picking the best bits from one of the greatest game series of all time the results are, unsurprisingly, pretty good! Maybe it helped that it was the first Zelda I didn't use a

Based on his rating of Fahrenheit I'd have to guess Escape From Monkey Island, Leisure Suit Larry: Box Office Bust and Simon the Sorcerer 3D.

And yet he's so convinced that he's the only one who 'gets' interactive storytelling. He's an arrogant hack.

And that wasn't even the weirdest bit...it's a long time since I played it but wasn't there something about the internet becoming sentient and trying to destroy mankind, but it's stopped by a child?

Adventure games don't need action, and shoehorning it in with terrible, five-minute-long QTEs that are easy to fail and have to be repeated from the start is not the way to do it. Fahrenheit is terrible. The opening is incredible, I'll grant that, but at no other point does the game live up to the open-ended nature