Heh, you said “cum heist”

or was it actually Simon Pegg

Since you’re so concerned with correct English, I’m sure you’ll appreciate this corrective:

I just can’t figure how Luke went from believing that his father, one of the most notorious and monstrous murderers in the history of the galaxy, was capable of redemption to where we saw him when he decided to kill Kylo.

I’m so fucking tired of this “thing I don’t care for doesn’t exist” meme

“Hey, I also want to kill, um, fifty-*five* per cent of the population!”

Movies are made by people, people have political views, peoples political views oftentimes make their way into the film they’re making. Something you’d notice if you could lift your slobbering face out of your popcorn bucket and actually use your brain when watching a film.

They should postpone this movie until it’s been, say, six months since the last U.S. gun massacre, thus assuring that it would never, ever be released.

Mitchell & Webb did a brilliant stone age/bronze age sketch

I got such a kick out of the Enterprise showing up at the end (and it looked fantastic), so of course the AVC review hates it.

I don’t think the two Cloverfields are connected are they? I think they can be watched independently.

Chance the Rapper is one of those kids who I love because they have their heart in the right place but are also my worst nightmare because they’re 99% enthusiasm and 1% intelligence. This isn’t a dig at his actual intellect, he appears to be a smart young man but....He also smacks of a kid who never set foot in…

If Lorca had thrown down the disruptor and pulled one of these on a Klingon guard, I would have been set.

Upvoted because Bowfinger is a wonderful and criminally underrated movie. Eddie Murphy alone is hilarious and he’s supported by every other actor giving such a wonderfully fun performance.

Yeah, Murphy is more frustrating to me, because while he does have some classics to his name, he seems to actively disdain the idea that he might seek out an interesting filmmaker. Sandler may do crummy comedy after crummy comedy to keep the lights on at Happy Madison, but he did seek out Baumbach, he did make the…

You Don’t Mess with the Zohan is legitimately very funny.

Yeah, I am fine if this is where Lynch leave it, but given the unlikely gift of these 18 hours I would be right there if he decided to go another round or two.

Personally, I think I really loved the ending. What was Twin Peaks about? Strip away all the lunacy and what was it about? It was about a dead girl and the FBI agent trying to solve her murder and thus symbolically save her.

Maybe it’s Baby’s First Critical Analysis to suggest that Twin Peaks: The Return is an extended meditation on both itself and the original run of episodes, but that’s the most coherent interpretation I have so far. I guess the only insight less piercing than that would be “Dale Cooper symbolically represents the…

He had a couple of woefully unappreciated solo recordings. 1994's “11 Tracks of Whack”, and 2008's “Circus Money”. Go check them out. I was looking forward to a third. I always travel with pretty much the entire Becker/Fagen catalogue on my trusty iPod. They’re like old friends. This is heartbreaking.