I gave up the series as a good chunk after :re came out. I initially was drawn to the series for how “small” it felt. No world-saving, no chosen prophecy or whatever, just a dude given a shitty situation and being asked to survive it now. Their powers back then were more defensive and offensive. They could bring down…

Only giving context, not justification, but the artist proooobably under tight deadlines and just googled something like “assassinated politician” or something similar, saw that photo, and maaaaaybe thought it was a stock, and then plopped it in the game.

There are tons of royalty free, or just straight up free stock images on the internet, you don’t always pay for them.

I’ll trust your judgement and give it a shot, I really, REALLY loved the previous seasons, so more would be great if they kept the charm.

Are the two hosts and Mary Berry still gone from the show? They brought so much charm and fun that I lost all interest after hearing they were leaving.

How long is the game would you say?

Does the game allow you to replicate spells and abilities from DnD?

As a lapsed christian, death has turned into one of the scariest things for me. I understand a lot of people come to accept it because they’ll no longer feel pain or sorrow, but to me that’s always been a glass half-full thing. It means I can’t feel joy, love or even sadness, the things I do enjoy feeling. I want to…

Look, I know Witcher 3 just came out, and I’m sure Cyberpunk will be great. But damn what I wouldn’t do for a Witcher 4. I’ve never felt so sad about leaving a game world before.

From what I remember, his political ideologies in his youth were largely conservative at the time, even without The Post, but as he grew older he became much more liberal (again for the time) and wanted to paint reality instead of an idealized reality. A change of nature like that is, to me at least, a bit inspiring.

I don’t mind the newer styles of today, but I do wish the animation quality had stayed the same. Sure there were always badly animated animes, but for that brief decade and a half, it seemed that more often than not the actual animation was really nice and smooth. A lot of today’s stuff just feels very static and…

I’m an Illustrator, and to me this trailer was hilarious because it was full of amazing Craig Mullins art that I’ve been gazing at for the past five years or so.

I love them all, but the original MGS1 cover is perfect in my eyes. Yeah it’s just a cropped Yoji Shinkawa piece, but that’s also better than 99% of other video game covers.

I love them all, but the original MGS1 cover is perfect in my eyes. Yeah it’s just a cropped Yoji Shinkawa piece, but that’s also better than 99% of other video game covers.

Fuck Cancer, and Love Sheever.

Thread is probably too deep now, but Critical Depth scared the fuck out of me because how empty it felt. If you never played it, it’s essentially Twisted Metal, but underwater. The levels felt huge and a lot of the times I feel like I never saw the AI bots I was supposed to kill, so I ended up just alone in the middle…

Only plotline I’m not liking anymore is Arya’s and Sansa’s. I wish I could even elaborate how, but all I can say is that when Arya is threatening Sansa in her room, I just wanted to shout “there’s more important shit happening right now, get over it!”

Wait the Dr. Robotnik’s Mean Bean Machine was a secret? I watched the Giant Bomb quick look, saw it there, then encountered it in my game, so I assumed it was normal. I’m gonna go look for the normal boss then I guess.

Style reminds me of all the stick-animation toons and games from Newgrounds, which is really neat.

Ignoring the way the announcement was framed, I’m pretty interested to see what the game turns out like. From what people have gathered, it sounds more like a board game than a card game, but either way I’m interested to see how it’ll shape up.