No shit, sherlock.

Really? I thought he was the weakest and the dullest of the protagonists. Compared to professional experienced comic actors from Bateman to Arnett to Jessica Walter, he seems very amateur.

The man who ran a muli-million dollar company and addressed board directors day to day moves into his son's dorm and gets fucked up by three teenagers… 'great continuity of character'? I don't see it.

One of the problems about having Michael Cera in the Writing Room was that the show became George-Michael heavy - two episodes for him? Him? And, as his futtering movie career has shown, he's not that charismatic, comedic or interesting. Meanwhile, Buster hardly appeared at at all

'B'?

But there's no difference between that stuff and Bourne and Statham at al - ie. dreary euro-stodge.

Still golden after all these years. And still with the best dialogue - 'Julep tart enough for you, Mr. Bond' - and it makes the dialogue of the last three movies look incredibly halt and lame.

You Only Cum Twice

Not since it turned out that Madonna's husband in 'Body of Evidence' was gay have I been so stunned with surprise!

Oh for fuck's sake, no. I like a cheery Bond who takes on a megalomaniac who's trying to blow up the world. Not a weary gay dad who keeps bursting into tears every five minutes.

'The actors are all very busy'.

Annyong.

Annyong.

I think you should consider seriously why I, someone who has never met you but does have a post-grad degree in Pyscholinguistics from MIT, would know just from one or two of your posts that you were Asian. In the meantime, annyong.

I'm sorry. Not all of us are sexually incontinent homosexuals spreading a plague through indiscriminate barebacking.

No, I get that. But he was *sexually* attracted to her. That's what I found so dumbfounding.

Probably.

So why was Tobias so attracted to DeBrie again? I mean, it's a major plot point and it makes no sense on any level.

Whoever said it did?

Then it's not a comedy, it's a soap opera, you big poof.