Yeah, I love how they all separated into equal spacing.  Like the fucking Avengers.

I'd have to disagree.  I'd say half, if not more, of the episodes in this season were complete home runs for me.  "Christmas Waltz" was my favorite, for the incredible Kinsey return and the verbal "waltzing" between Don and Joan.  I thought "A Little Kiss", "Mystery Date", "Signal 30", "Far Away Places", "At The…

I'd have to disagree.  I'd say half, if not more, of the episodes in this season were complete home runs for me.  "Christmas Waltz" was my favorite, for the incredible Kinsey return and the verbal "waltzing" between Don and Joan.  I thought "A Little Kiss", "Mystery Date", "Signal 30", "Far Away Places", "At The…

Would you stuff "The Wheel" into that Top 10?

Would you stuff "The Wheel" into that Top 10?

I don't know if it's so clear cut that Don is going to hook up with those women at the bar.  I think the fade to black creates a pretty vague "will he or won't he?" situation.

I don't know if it's so clear cut that Don is going to hook up with those women at the bar.  I think the fade to black creates a pretty vague "will he or won't he?" situation.

I loved that shot too.  I almost felt like it was the show saying it's goodbye for the season, with Don in the role of the writers walking away from the show of Mad Men.

I loved that shot too.  I almost felt like it was the show saying it's goodbye for the season, with Don in the role of the writers walking away from the show of Mad Men.

My friend was watching the show on DVR about five minutes ahead of me.  All of a sudden he texts me "Pete needs to take a self-defense class".  I was all "????", and then I knew there would be a brawl on the train.

My friend was watching the show on DVR about five minutes ahead of me.  All of a sudden he texts me "Pete needs to take a self-defense class".  I was all "????", and then I knew there would be a brawl on the train.

I disagree with Todd's view about Weiner's direction and "unimaginative shots" in this episode.  I loved the transitions that Weiner used in this episode (and generally like them whenever he directs), like how he used doors.  Lane's wife closes the door on Don, which leads to Pete opening the door to his home, to see…

I disagree with Todd's view about Weiner's direction and "unimaginative shots" in this episode.  I loved the transitions that Weiner used in this episode (and generally like them whenever he directs), like how he used doors.  Lane's wife closes the door on Don, which leads to Pete opening the door to his home, to see…

I love how the cigarette smoke played against the triangular light of the projector.

I love how the cigarette smoke played against the triangular light of the projector.

I was guessing this season might end on some RFK assassination note (Paul Kinsey changing his name to something ridiculous and doing the deed!), but I figure Weiner and Co. addressed enough Kennedy assasination stuff before.

I was guessing this season might end on some RFK assassination note (Paul Kinsey changing his name to something ridiculous and doing the deed!), but I figure Weiner and Co. addressed enough Kennedy assasination stuff before.

Yeah, what the hell with the dogs that Peggy saw?  I couldn't tell if I was missing some meaning, or it was just showing Peggy that her dream business trip wasn't the great thing she thought it was going to be.

Yeah, what the hell with the dogs that Peggy saw?  I couldn't tell if I was missing some meaning, or it was just showing Peggy that her dream business trip wasn't the great thing she thought it was going to be.

I definitely thought it was Glenn when I saw the snippet during the "Next On Mad Men…" segment, but somehow during the show I didn't get a Glenn-vibe.