sodypop
SodyPop
sodypop

Lol sure, MAGAs are always commenting about how the games they play should more meaningfully engage with political issues like how the police are a fundamentally corrupt force protecting a wealthy status quo.

Scorsese is 80 years old, and it galls him to know that the Marvel films through Avengers: Endgame represent a signature cultural event in the cinema of our time. When Marty is gone, and an entire body of work steeped in the belief that toxic masculinity is the organizing principle of the cosmos is reassessed, it

I really enjoy playing these games but I think I’m in the minority that finds the writing and plotting in them to be bad to the point of distraction.

The first game was bad for it, but Miles Morales fully toppled into some of the most laughably annoying cliches. It was a rare instance of a piece of media that actually

Not sure I’d agree that online play should’ve been included at launch: Harmonix has frequently noted how both their pre-RB4 user survey and their own data from the past RB games indicated that online play was a low priority/little-used feature. Given that they’re an indie studio now, investing in building a system for

You mean setlists? They added those into RB4 in the April update, so you can now make custom setlists to your heart’s content.

It doesn’t seem that unreasonable to me that, after 5 years, a company might want to take a slightly different direction and not be constrained by every addition and feature they added in a *previous generation* of their game.

I actually did read her posts, but nice try.

It's frustrating to read the astounding, pseudo-intellectual ignorance of Demosthenes, heartening to read the measured, instructional responses of people like Atrius, and satisfying to know how plainly (albeit slowly) the tide is turning against those like Demostenes (and the many others in this thread) who simply